Calls For Entry
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2020 Expressions!
2020 Expressions! Exhibit
February 14 - February 21 at Tracy Community Center, 950 East Street, Tracy, CA
Eligibility to enter:
· Open to artists over 18 years of age
· Work must be original and completed in the last 24 months
· Work must be conceived and created entirely by the entering artist
· Work shown in previous Tracy Art League exhibits is not eligible
· No work can exceed 50” including frame
Conditions of Entry:
· Limit six entries per category per artist
· Entries must be wired and the wire ends taped for hanging
· $15 per entry/$12 per entry for Tracy Art League members
· Artwork to be hand delivered
· A 15% donation is customary on all sales. Make checks payable to Tracy Art League and see our staff in the Sales Room at Pick-up
File submission can be no greater than 8Mb.
One of the missions of the Tracy Art League is to educate school age children. Because of this, we are not accepting any works depicting whole/partial nudity or extreme violence.
Categories:
1. Sculpture & 3 Dimensional (weight limit 50 lbs)
2. Oil and Acrylic
3. Watercolor
4. Pastel and Drawing
5. Graphics and Mixed Media
6. Glass
7. Photography (photos must be ready to hang - mounted or framed)
Awards:
· Best of Show $450
· Cash awards for 1st ($100), 2nd ($75), 3rd ($50) and honorable mention ($25) in each category
Calendar of Events:
Dec 15 – Jan 24: Online entries accepted at www.SmarterEntry.com/CallsForEntry/TAL
Feb 7 5pm-8pm Receiving of accepted artwork
Feb 8 10am-2pm Receiving of accepted artwork
Feb 14 6:30pm – 8:30pm Artist Reception
Feb 15-16 11am to 5pm Exhibit open
Feb 17-21 4pm to 7pm Exhibit open
Feb 22 10am-noon Pick-up artwork
2020 Juror:
Painter, Art Educator
Lucinda Kasser
Lucinda is a retired Art Professor Emeritus from University of the Pacific in Stockton, CA
Lucinda's website: https://lucindakasser.com/
Jurying results will be determined from photographs uploaded to SmarterEntry.com. Award judging will be from the actual accepted artwork. All artwork will be released at the close of the show except the pieces chosen for the Expressions Selections Exhibit. Work chosen for the Expressions Selections Exhibit will be transported to the Grand Theatre Center for the Arts.
Artist will be responsible for insuring their artwork. Care will be taken during handling and exhibiting of all artwork, however, neither Tracy Art League nor the volunteers can be held responsible for loss or damage to the artwork submitted.
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Online Review of Entries: January 25 through January 30.
Pick-Up of Work at Community Center: Saturday, February 22 from 10am - noon (unless selected for Expressions! Selections)
Expressions! Selections 2020
presented in collaboration with the Tracy Art League - Expressions!
Dates: April 4 - May 16, 2020
GWF Energy & Souza Galleries
Opening Reception: Saturday, April 4th noon - 2pm
ES Artist Panel Discussion: Saturday, April 25th noon - 2pm (tentative)
All of these associated events are free & open to the public.
Grand Theatre Center for Arts will process sales and remit payment directly to artist for Expressions! Selections. 20% commission is retained on all sales processed at the Grand Theatre Center for the Arts.
City of Tracy to issue Purchase Prize Award(s) up to $500 for inclucion into the City Art Collection, paid to the artist(s) in the amount of 80% of retail price.
All works insured at 80% of declared fair market value by the City of Tracy while on display at the Grand Theatre Center for the Arts.
No early withdrawals; all works remain on display for the durantion of the exhibition at the Grand Theatre Center for the Arts.
Return of Work May 18-21.
Color is Key - 2020 Photography Online Exhibit
Cape Cod Art Center Photography seeks entries for their "Color is Key" Photography Online Exhibition.
All photographers of any level are invited to submit to this open juried online photography exhibit. The goal of this exhibit is to honor the vision of rising talent and accomplished photographers.
Entries must be of original work, they cannot be a copy of another painting; a magazine or newspaper photo, or any type of reproduction; the entry must be the artist's own composition.
Entries due by January 26, 2020 by midnight.
Artist notification by email on February 7, 2020. Online exhibit on website will become live on February 7, 2020.
This online exhibit is being judged by Anita Winstanley Roark.
The juror may accept a maximum of two works from any one artist. Payment is non-refundable and does not guarantee acceptance.
Cash prizes awarded for Best in Show, Second Place and two Honorable Mentions.
Exhibit icon image by Anita Winstanley Roark, "Pond Reflections".
InFocus 2020
Categories
Photographs will be judged in six categories: Landscape, Nature, In Motion, Close Up/Macro, The Art of Humankind and Man Made. Definitions of these categories and examples of each are available on the InFocus website at http://www.infocus-tcaa.org/categories.html. Each category may have both color and monochrome images. These categories may overlap. It will be your choice to pick the category you wish your image to be entered in. The InFocus Committee reserves the right to change the category of your entry if they deem it necessary. Submissions of original works of photographic art may include but are not limited to classic film and digital photography.
Awards
Cash prizes and ribbons will be awarded in each category: $150 for First Place, $75 for Second Place and $50 for Third Place. Additional ribbons will be awarded for Honorable Mention and Judge’s Choice. The Best of Show will receive $250 and a ribbon. The Charles Moore Excellence in Photography Award* winner will receive $250, a ribbon and a trophy. Recipients of Sponsor Awards will receive $25 and a ribbon. Two People’s Choice awards will be presented at the end of the show to the photographs receiving (1) the most votes by the student visitors and (2) all other visitors. Each award may be eligible for a merchandise prize.
Conditions of Entry
· The work must be completed within the last two years.
· Entries are open to amateur and professional photographers ages 18 years and older.
· All entries must be images entered online via “Smarter Entry” through the following link: https://client.smarterentry.com/tcaa. Assistance with logging in to Smarter Entry and preparing images for submission are available on the InFocus website http://www.InFocus-tcaa.org.
· Images entered online into the “Smarter Entry” system may not have the author’s name or the name of the photograph displayed on the image.
· Each entrant may submit up to 6 photos. See the fee schedule below. Entry fees are not refundable.
· InFocus may use all digital images submitted to this competition for media purposes only.
· InFocus will request a high-resolution electronic image of the winning photographs for media purposes.
· Acceptance notification will be posted on the InFocus website http://www.InFocus-tcaa.organd notices will be sent by email no later than Tuesday, February 18, 2020. Note that accepted entries will be listed by name as entered into Smarter Entry. Use unique titles and note the names of your titles for reference when viewing the acceptance notification.
· For questions, email us at contests@tuolumnecountyarts.org. Or refer to the InFocus website athttp://www.InFocus-tcaa.orgfor more detailed information.
Entry Fees
$40 for the first two images and $10 for each additional image entry. Entry includes a membership with Tuolumne County Arts Alliance (TCA) and all its benefits * (see www.mytuolumnecountyarts.org for details)
Commission
All works must be for sale. A 25% gallery commission applies to all sales with commission going to InFocus to improve future shows. On Saturday, March 21st, all works will be discounted by 25% and no additional commission will be charged. Benefit goes to the purchaser.
Calendar of Events
Dec 5, 2019, Thursday Online entry begins at 6:00 a.m.
January 27, 2020, Monday Last day to submit images. Entry closes at 6:00 p.m.
February 18, 2020, Tuesday Accepted notifications sent via email and posted on the website
March 6-7, Friday & Saturday Accepted art hand delivered to Angelo’s Hall in Columbia:
Friday from 12:00 p.m. through 5:00 p.m.
Saturday from 9:00 a.m. through 12:00 p.m.
March 8, 2020, Sunday Exhibition is open to the public at 5:00 p.m.
March 8, 2020, Sunday Reception & presentation of awards to Artists from 5:00 to 7:00 p.m.
March 9- 21, 2020 Show is open to the public from 12:00 p.m. to 5:30 p.m.
March 21, 2020 Sale Day. All works will be discounted 25%
March 22, 2020 Sunday Show is open to the public from 12:00 p.m. to 3:00 p.m.
March 22, 2020 Sunday Artists pick up their entries between 3:00 p.m. & 5:30 p.m.
Rules
· Accepted art must be the same as submitted online.
· Show administrators reserve the right to reject a photograph when delivered to the show site if the photograph does not appear to be the same as the digital photograph submitted online or the matting and framing is unacceptable.
· Show administrators reserve the right to change the category in which a photograph is entered if the photograph is, in their judgment, entered into the wrong category. The artist will be contacted to confirm before any changes are made. If contact can not be made the image will stay in it’s submitted category.
· Every precaution will be taken to protect the artwork. However, InFocus and Tuolumne County Arts (TCA) will not be responsible for loss or damage to art entered in the show.
· Accepted works must be submitted in framed or finished condition. Plastic or “fast” frames are not acceptable. Canvas wraps, metal or glass prints are not required to be placed in frames.
· Photos must have picture-hanging wire firmly attached across the back. Wires must be taut and placed between 1/3 and 1/4 the height of the frame from the top of the frame. Sharp wire ends must be taped. Canvas, metal and glass prints need wires or acceptable hanging systems (see photos below). Saw tooth, styrofoam or alligator hanging systems are not acceptable.
· The maximum width of an image is 34 inchesmeasured on the outside edge of the frame. The maximum overall framed size is 60 inches, which is determined by adding the outside-framed height, plus the outside framed width together. For example, a 16"x20" frame might measure 19"x23" when measured from outside edge to outside edge. Add 19"+23" to determine the overall framed size which, in this example, is 42".
· Photos may not weigh more than 12 lbs.
· Works that have been selected for the show must be hand delivered to Angelos Hall during the check in period. If you are unable to deliver or pick up on the designated dates please make arrangements prior to deadlines.
· InFocus and TCA are unable to accept works that are shipped.
· Accepted works must remain in the exhibit through the show closing date.
· Artists are encouraged to furnish an Artist’s Statement or Biography for our Artist’s Statement Binder.
· Works that have been selected for the show must be picked up on Sunday, March 22, 2019 at Angelos Hall between 3:00 p.m. and 5:30 p.m. or by arrangement. Bring your receipt to claim your photos. Photos that are not picked up during these hours will be taken to the Tuolumne County Arts office and may be picked up there by arrangement. A storage fee will be charged for photos that are not picked up within 14 days. TCA does not accept responsibility for any damages that might occur in transporting.
*The Charles Moore Excellence in Photography Award honors TCA supporter and nationally renowned photographer, Charles Moore, for an image that is most inspirational in the spirit of Charles’ work – his 1960s Civil Rights work, and Mother Lode photography. This image may be selected from entries in any category. Sponsored by H. Randolph and Betty Holder.C
Expressions West 2020
CALL TO ARTISTS
Event Dates: 1 May - 27 June, 2020
Entry Deadline: 31 January 2020
Opening Night Reception & Awards Ceremony – Friday, April 19, 2020, 5-7 p.m.
Coos Art Museum, 235 Anderson Ave, Coos Bay, OR 97420
CASH AWARDS:
1st: $1000, 2nd: $750, 3rd: $250, 4 honorable mention ribbons
Eligibility
Artists residing in Alaska, Arizona, California, Colorado, Hawaii, Idaho, Montana, Nevada, New Mexico, Oregon, Utah, Washington, and Wyoming are invited to provide up to three submissions.
ELIGIBLE ART MEDIUMS: Allowed with the following criteria
Paintings - limitation of 48 inches by 96 inches - this includes the frame.
Drawings - limitation of 48 inches by 96 inches - this includes the frame.
Hand pulled prints - limitation of 48 inches by 96 inches - this includes the frame.
Mixed media - limitation of 48 inches by 96 inches - this includes the frame.
Fiber & textiles - limitation of 48 inches by 96 inches - this includes the frame or mounting device.
Fiber & textiles - wearable - must supply display device
Small sculptures - weight limitation of 50 lbs. and 48" inches by 96 inches.
Glass - blown, fused or leaded stained - if to be suspended, must include a secure hanging or display device.
Turned and carved wood - weight limitation of 50 lbs. and 48" inches by 96 inches.
Jewelry - only if ALL elements were created by the artist.
Any and all themes of expression define the parameters of acceptable entries.
General Rules
Each artist can provide a total of up to three (3) submissions. There is a non-refundable fee of $20 for the first submission plus $10 for the second submission plus $10 for the third submission. Artworks submitted must have been created within the last 2 years (2018 - 2020) with a framed size limitation of 48 inches by 96 inches and a weight limitation of 50 pounds.
If you are submitting a work that is part of a series, the submitted piece MUST be unique and distinguishable from any of your other works of art. Works that have previously been exhibited at Coos Art Museum are NOT eligible.
Artworks that are accepted must be the same as the images on the files entered no substitutions.
NOTE: If your work is a replica of another person's work - Title MUST contain notation of the original work and original artist. Example: "..........A Study of the Mona Lisa, by Leonardo DaVinci"
INELIGIBLE ART MEDIUMS: Photography, video, motion picture film, audio, computer generated digital artworks, giclée prints of original fine art, and furniture.
Deadline for submissions is 31 January 2020
Notice of acceptance will be sent by 13 February 2020
Cash Awards First Place Award will receive cash prize of $1000. Second Place Award will receive cash prize of $750. Third Place Award will receive cash prize of $250. Non Cash Awards Four Honorable Mention ribbons will also be awarded.
Sales:
Works in the exhibition may be available for sale. Artist agrees to donate 30% of any sale to Coos Art Museum. PLEASE PRICE YOUR WORKS WITH THIS IN MIND! Sales made from the Museum are final. Artist is to be paid three weeks from end of show. Your entry confirms all terms of this agreement.
Delivery and Pickup of Art Works:
Artists whose work is accepted must have artworks delivered to the Museum via carrier service at their own expense for arrival between April 21 and April 26, 2020. Hand delivered work will be received at the museum on Thursday and Friday, April 23 & 24, 2020 between 10 am and 4 pm and Saturday, April 25, 2020 between 1 pm and 4 pm. Coos Art Museum will not pay for return shipment of artwork. Artists must make pre-paid arrangements to have their work returned to them, or may pick up their work in person at the Museum on Saturday June 27 4-6pm and Sunday June 28, 2020 between 10am and 12:30pm.
General Specifications:
Works must be ready for hanging and have a framed size of no more than 48 inches by 96 inches. All work must be labeled on the back with the artist’s name, address, and phone number. Labels must also show the work’s Title, Medium, Date of Creation, and (retail) value of the piece as set by the artist. Art is insured while in the Museum from April 21 through July 11, 2020.
Juror:
Yuji Hiratsuka Yuji Hiratsuka is a Corvallis, Oregon artist and Associate Professor of printmaking at Oregon State University. In his work Hiratsuka combines the techniques of intaglio, relief and chine collé to produce images drawn from both traditional and contemporary sources. He expresses the mismatched hodgepodge of daily life and whimsical and spontaneous aspects of human nature. Hiratsuka’s works can be found in many important collections including: the British Museum, Tokyo Central Museum, Cincinnati Art Museum, Portland Art Museum, and The House of Humor and Satire in Bulgaria. In 2018 he won the first place award in Coos Art Museum’s Ink and Print exhibition and his print Diamonds, Always and Forever was added to the Museum’s Permanent Collection.
Coos Art Museum (CAM):
Coos Art Museum is the cornerstone of visual arts on Oregon’s Southern Coast. Through collections, exhibitions and educational programs, we are building an arts and cultural community and promoting the appreciation, understanding and expression of visual art. It is the third oldest art museum in Oregon. CAM traces its roots to the Coos Artist League, active since 1950. Members of the League conducted early operations in storefront locations before moving to a Carnegie Public Library Building. In 1982 Coos Art Museum membership acquired and remodeled the retired US Post Office building, a historical art deco structure built in 1937. Currently, CAM has six active galleries totaling 5,600 square feet of display space and a 600 piece and growing Permanent Collection of mid-20th Century and contemporary American art.
Important Dates:
January 31, 2020 - Deadline for submissions sent to Coos Art Museum.
February 13, 2020 - Notification of acceptance/rejection and return of non-selected submissions.
April 18, 2020 - Deadline for receiving accepted artwork.
May 1, 2020 – Opening reception 5-7 pm June 27, 2020 - Hand retrieval of artwork from 4 - 6 pm. June 28, 2020 – Hand retrieval of artwork from 10am – 12:30pm.
June 30 – July 3, 2020 - Artwork returned via couriers.
THE STREETS
"Street Photography became recognized as a genre in its own right during the early 1930s. Street Photography is unique in the way it is associated with the photographer's skill in capturing something of the mystery and aura of everyday city living. The Street Photographer is then often likened to the historical figure of the flâneur: namely someone who mingles anonymously amongst the crowd observing and recording the ways the unsuspecting city dweller interacts with his or her environment"
Praxis Gallery seeks the submission of photographic art that explores the genre of street photography from all angles, including people, urban structure, and documentary subject matter. All genres, capture types, black & white and color, traditional and non-traditional photographic and digital post-production processes are welcome for submission.
JUROR | ROBI CHAKRAVORTY
Originally from India, Robi Chakraborty studied photography under the prestigious O.P. Sharma at Triveni Kala Sangam Photography in New Delhi. He began his career doing both commercial and press photography in the early 1980s, but through wanderlust and with a spirit to explore, Robi became drawn to photographing the people in the cities and villages of his native India. Taking roads less traveled, Robi sought out cultures and ways of life that were quickly becoming lost in the contemporary, more homogenized world of today.
Having lived in India, Nepal, Africa and the US, Robi portrays his global view of the world through his photography by celebrating both the diversity of his subjects yet beautifully revealing the striking similarities and capturing the humanity that we can all relate to.Recent awards include the Merit Award in All About Photo Magazine (July 2018), the Excellence Award in Black & White Magazine (June 2018) and Exhibitions at Gala awards in Barcelona and Faces at Budapest diary photography (2019).
Beyond Likeness
A Rocky Neck Art Colony open juried exhibition
IMPORTANT NOTE to Members: To get your member discount, you must know the member "Promo Code" and have it ready before you proceed. (Click “Help, Contact Support” in the pane to the left to request a code.)
JUROR: Amy Sudarsky
Submission Deadline: Saturday, February 1, 2020, 11:59 PM Eastern Time.
Eligibility: Open to all New England Artists including Rocky Neck Art Colony member artists.
About the Juror: Amy Sudarsky, a figurative painter who has exhibited in Boston, New York, and San Francisco. She has taught painting and drawing courses at The Art Institute of Boston, Boston University, Washington University and recently at Lesley University. In 2018, she curated the exhibition "In Her Own Image; Self Portraits by Women 1900-2018," at the Concord Center for the Arts. Her studio is in Allston, MA.
Entry Fee : $35 for up to three entries. RNAC members only: $25. $10 each for three additional entries.
Hidden Figures
The San Francisco Women Artists (SFWA) organization, located in the City’s Inner Sunset neighborhood, is pleased to announce this Open Competition for our March exhibition. Bay Area artists (men and women) are invited to submit 2D artworks of any medium except video for this juried competition. Maximum width for any piece is 50" INCLUDING FRAME, unless prior permission from gallery has been obtained.
The theme for this exhibit is "Hidden Figures" – Spinning off the film of the same name, think retro, women of color, mathematics and numbers. Also consider each of the words: what is “hidden” in your work? What “figures” are alluded to in your artistic choices?
Please carefully read the Call for Entries for complete details.
TRANSPARENT AS GLASS ? INTERNATIONAL JURIED GLASS ART SHOW NYC
TRANSPARENT AS GLASS?
INTERNATIONAL JURIED GLASS ART SHOW NYC
MAY 9 – June 21, 2020
The Brooklyn Waterfront Artists Coalition is pleased to announce Transparent as Glass?, our first exhibition and sale dedicated specifically to glass artists in our 41-year history.
This unique comprehensive survey will be mounted in our massive stone Civil War‐era warehouse on the Red Hook waterfront in Brooklyn, NY. This is an Open call to all Glass Artists of all glass techniques – blown glass, kiln working, glass casting, flame, neon, stained glass, glass painting and glass etching.
We are greatly honored to have as our juror Michael Endo, Chief Curator for Bullseye Glass Company, and Renee Radenberg as BWAC’s Curator of the space.
Call to Artists for Submissions
Submission Deadline: Early Bird February 4 or Final Application Deadline March 2, 2020.
Gallery Exhibition Dates: Saturday, May 9 – Sunday, June 21, 2020 weekends 1‐6 P.M.
Opening Reception: Saturday, May 16, 2020 from 1‐6 P.M.
About the Juror
Michael Endo is an artist and curator originally from Portland, Oregon. He earned an MFA in painting from Cranbrook Academy of Art, Michigan, in 2009 after a BA from Portland State University, Oregon, in 2005. His studio work has been included in national and international exhibitions at venues such as The National Glass Centre (Sunderland, UK), Disjecta (Portland, Oregon), Yuan Yuan Art Center (Jinan, China), and Bullseye Projects (Portland, Oregon and Mamaroneck, New York). Michael is currently the curator at Bullseye Projects, organizing exhibitions in Portland, Oregon; Emeryville, California; Mamaroneck, New York; and Latheronwheel, Scotland. He also co-founded Dust to Dust, a curatorial project that started in 2018 with artist Emily Endo. In 2019, Endo moved to Yucca Valley, California where he is the co-director of High Desert Observatory and partner in the Yucca Valley Material Lab, a studio and residency founded by artist Heidi Schwegler.
Juroring: All juroring for will be on‐line. Entries that differ significantly from their digital images may be rejected. Decision of the juror is final.
Show Details
Transparent as Glass? Art Show: Glass has been created and used by mankind from the ancient Egyptians. It is only recently, since mid 20th century, that glass has been acknowledged as an art form. It has wonderful physical properties - transparent or opaque - allowing one to see the illusion of space and depth, the constant play of positive and negative spaces. This causes a magical flow within the art, embodying fun, playfulness, and the spiritual energy of nature.
BWAC is seeking original artwork from glass artists working all glass techniques – blown glass, kiln working, casting, flame, neon, stained glass, glass painting and glass etching. The theme is to reflect glass as an art which results in 2‐Dimensional or 3‐Dimensional work.
ELIGIBILITY: This call for submission is open to all residents of the U.S. and its Territories 18 years of age or older and international glass artists. All artwork must be original in concept, design and execution.
Submission and Fees: Only original works may be submitted.
Early Bird Discount: through midnight, February 4, 2020): $45 for up to three (3) images + $5.00/ea additional image.
Submissions between February 5 and midnight March 2, 2020: $65 for up to three (3) images + $5.00/ea. additional image.
3-D Sculpture and installations: artists may use two (2) additional images for details, at no extra charge. Contactbwacjuriedshows@gmail.com if you need them.
All entries must be registered/received by midnight, March 2, 2020. All entry fees are non‐refundable.
Notification: The juror’s results will be emailed by
Monday, March 16, 2020. If you have not received
notification by March 20th please notify bwacjuriedshows@gmail.com . A return confirmation of participation is
required by Friday, March 27, 2020 to hold a spot in the exhibition.
Requirements for Accepted Work:
1. Maximum Size: packages must fit through a 72” X 56” wide door. Oversize Work, Assemblages and Installations exceeding 72 X72, and Overweight work exceeding 30lbs, are welcome only at the discretion of BWAC staff, but must be delivered, installed and removed by the artist (or their agent) upon prior arrangement with BWAC. Any work not meeting these eligibility requirements can automatically be disqualified regardless of juror selection.
2. Where appropriate and at the discretion of BWAC, all conventional being installed by BWAC work must be appropriately prepared for display to a professional standard.
3. Any work requiring ceiling mounts, D Rings, cleats or special installation requirements must be installed by artist or agent, or if agreed to beforehand by BWAC may be subject to additional charges. Any work that BWAC may agree to do will be invoiced at $90/per hour or as quoted by BWAC.
4. Sculptors may provide their own pedestals, or must agree to use those provided by BWAC.
5. A label must be affixed to the back of the work that indicates which end is the top and includes the following: Artist Name, Title, Medium, Dimensions, and Price. This information must correspond with the Accepted image as listed on Acceptance Letter. No artwork may be substituted.
6. All artwork must be priced for sale. Any work marked POR (Price on Request) or NFS (Not For Sale) will not be eligible for entry into the exhibition.
7. Work cannot be withdrawn before the end of the exhibit. Purchased work can be removed by the buyer after 4 PM on Opening Day and from 1-6PM on all other days of the show.
Delivery Of Accepted Work:
1. Hand Delivery: Work can be hand delivered to BWAC at 481 Van Brunt Street, Door 7A, Brooklyn, NY and unpacked by artist or artist’s agent on Friday 4/24, Saturday 4/25, Sunday, April 26 from 12:00 P.M. to 5:00 P.M.
2. Shipped Work: All truck deliveries should be ordered (UPS is our preferred carrier) to be made INSIDE the doorway, and to arrive at BWAC gallery address 481 Van Brunt Street, Door 7A, Brooklyn, NY 11231 from Tuesday, April 21 through Friday, April 24. BWAC CANNOT ACCEPT CURBSIDE DELIVERY. The handling fee for shipped works is $45 per package for the first 30 lbs. plus $1 per pound additional. The artist assumes all responsibility for insuring artwork against shipping damage or loss. For packages weighing more than 30lbs., contact BWAC for confirmation of acceptance before shipping.
Late Arrival And Returns: BWAC reserves the right to reject and return work that is late, is deemed unstable upon arrival, is not properly presented, or differs from the submitted digital image. Returns will be solely at the artist’s expense.
Sales, Commissions and Delivery: BWAC will retain a 30% commission on all exhibition sales. The price represented on the artist entry form will be the sale price. No changes will be allowed. Sold works will remain until the end of the exhibition unless the Buyer is present to remove the work during the course of the show ((after 4PM on Opening Day). Artists will be notified of sales. If buyers cannot remove their purchases for any reason, arrangements for shipping of works to buyers will be the sole responsibility of the artist.
Removal: Hand‐delivered artwork must be removed by the artist, or artist’s agent on Thursday, June 25 from 4:00 P.M. to 8:00 P.M., Saturday, June 27, or Sunday, June 28, 12:00 P.M. to 5:00 P.M. Any work not removed during this specified time is subject to a storage charge of $50/per week or part thereof, and will be disposed of at BWAC’s discretion if not removed within six months.
Liability: BWAC will notify artist of any damage that may have occurred during transport. Every precaution will be taken in handling the entries, but BWAC assumes no liability for any loss or damage to any artist’s work while in our care, custody or control, before, during or after the exhibition. Each artist, if they wish, needs to provide their own insurance.
Use Of Images: Any image submitted may be used for marketing and promotional purposes directly related to this show. This use may include publication in any publications, printed materials, advertisements, or electronic media. Copyright and all other rights remain that of the artist.
Contact/Questions: Please direct questions prior to receiving a Notification Letter to bwacjuriedshows@gmail.com. If accepted, your Acceptance Letter will direct you to contact BWAC’s Curator for further information.
Entry Agreement: With the submission of artwork into the Transparent as Glass? BWAC Show, the artist agrees to all the terms and conditions set forth in this prospectus.
WIDE OPEN 11: NATIONAL JURIED ART SHOW
WIDE OPEN 11
NATIONAL JURIED ART SHOW NYC MAY 9-JUNE 21,2020
We are excited to announce our eleventh annual national juried art show, Wide Open 11 opening May 9, 2020. This year we are privileged and delighted to have returning to BWAC as a juror one of New York’s very knowledgeable curators, Paulina Pobocha, of MoMA. With her guidance and selections, we look forward to another spectacular show.
Ours is a truly unique and generous space – a beautiful stone Civil War‐era warehouse overlooking New York Harbor from the piers of Red Hook, in Brooklyn NY. We welcome the opportunity to exhibit unusually large work, and look forward to exhibiting artwork from all around the country, work in all sizes, and subjects, and media. Virtually every medium is accepted including: Oil, Acrylic, Pastel, Watercolor, Photography, Drawing, Print, Mixed Media, Sculpture, Assemblage, Installation*, and Textile.
Call to Artists for Submissions:
Eligibility: This call for submission is open to all residents of the U.S. and its Territories 18 years of age or older. This is a juried exhibition for artists working in all traditional and non‐traditional 2D and 3D media, *including film/video only when part of an Installation. Works may be submitted in one or multiple media. All artwork must be original in concept, design and execution. Limited edition prints/photographs are accepted. Artwork not meeting the criteria, although juried, may be rejected. Note: Kit work or reproductions of original works in other media (such as giclee prints of oil paintings), unless used as part of a mixed media work, will not be considered.
Submission Deadline: Early Bird: February 4, 2020; Final Application Deadline: March 2, 2020.
Gallery Exhibition Dates: Saturday May 9 – Sunday June 21, 2020; weekends 1‐ 6P.M.
Opening Reception: Saturday May 9, 2020 from 1 ‐ 6 P.M.
Theme:
The broad theme of Wide Open 11 encompasses all the possibilities of knowledge and freedom and love ‐ wide open spaces…arms wide open…eyes wide open ‐ but as with all things, there is the inevitable opposite ‐ wide open to attack…corruption…failure. What kind of fantasy is this? What does it really indicate? This juried show looks to explore the idea of “wide open” in all the hidden niches of our collective psyche.
About the Juror:
Paulina Pobocha is an Associate Curator in the Department of Painting and Sculpture at The Museum of Modern Art, New York. She has written on and organized numerous exhibitions of modern and contemporary art, with a focus on art made after 1970. Prior to joining the curatorial staff of MoMA, Paulina was a Joan Tisch Fellow at the Whitney Museum of American Art, NY where she lectured on a broad range of subjects in contemporary and modern art. She was appointed critic at the Yale University School of Art in 2011.
As well as looking for skill in the use of a variety of materials, Ms. Pobocha will be looking for how well that medium relates to the concept or movement, and how fully the artist’s intention or concept is presented and realized. Her awards will reflect that artistic judgment.
Judging: All jurying to enter this competition will be on‐line. Judging for prizes is done on-site. All decisions are final.
$2100 in Cash Awards:
BEST of SHOW GOLD: $1000 awarded at the Opening Reception to the artist whose work is juried as ‘Best of Show’.
BEST of SHOW SILVER: $500 awarded at the Opening Reception to the artist whose work is juried ‘Best of Show Silver’.
CERTIFICATES of RECOGNITION: $500 total: $100 for each of fivewinners, awarded at the Opening Reception.
All above selections will be made by our juror, Paulina Pobocha.
PEOPLES’ CHOICE: $100 awarded to the artist whose work is voted ‘Best’ by attendees during the course of the entire show.
Submissions Fees:
All entry fees are non‐refundable. All entries must be registered/received by midnight, March 2, 2020.
Early Bird: (through midnight, February 4, 2020): $45 for up to three (3) images plus $6.00 for each additional.
Submissions February 5 through midnight March 2, 2020: $65 for up to three (3) images plus $6.00 for each additional.
Sculpture and Installations: artists may use two (2) additional images for details, at no extra charge. If needed, contact bwacjuriedshows@gmail.com
Notification:
The juror’s results will be e‐mailed by Monday March 16, 2020. If you have not received notification by March 20, please notify mailto: bwacjuriedshows@gmail.com.
Confirmation Required:
To exhibit, a return Confirmation Form is required by Friday March 27, 2020. Look for the Confirmation link in your Acceptance Letter.
Requirements For Accepted Work:
1. Maximum assigned space: 14’ w X 8’ h X 8’ d; Ceilings are 10.5 ft high; packages must fit through a 72” X 55” wide door.
2. Where appropriate and at the discretion of BWAC, all work must be suitably framed to a professional standard. No clip frames, saw‐tooth hangers or taped edges. Heavy work must provide French Cleats. Work must be wired and ready for hanging. All framed conventional work must use Plexiglas, except hand‐delivered work less than 24” x 30”. Canvases may have neat gallery wrapped edges.
3. Any work requiring special installation must be installed by artist or agent or, if agreed to beforehand by BWAC, may be subject to additional charges. Any that BWAC may agree to work on will be invoiced at $90/per hour minimum.
4. Sculptors may provide their own pedestals, or must agree to use those provided by BWAC.
5. A label must be affixed to the back of the work that indicates which end is the top and includes the following: Artist Name, Title, Medium, Dimensions, and Price. This information must correspond with the Accepted image as listed on Acceptance letter. No artwork may be substituted.
6. All artwork must be priced for sale. Any work marked POR (Price on Request) or NFS (Not For Sale) will not be eligible for entry into the exhibition. Buyers may take purchased pieces with them after 4 PM Saturday May 9th and between 1- 6 PM on all other days of the show.
7. Oversize Work (exceeding 72 X72), Overweight work (exceeding 30lbs), Assemblages and Installations are welcome at the discretion of BWAC staff, and must meet all other specifications and be delivered, installed and removed by the artist or their agent upon prior arrangement with BWAC.
Delivery Of Accepted Work:
1. Hand Deliveries: Work can be hand delivered to BWAC at 481 Van Brunt Street, Door 7A (canal side), Brooklyn and unpacked by artist or artist’s agent on Friday April 24, Saturday April 25, Sunday, April 26, 12:00 P.M. – 5:00 P.M. BWAC staff installs the work.
2. Shipped Work: UPS is our preferred carrier. NO USPS PARCEL POST WILL BE ACCEPTED. All Truck Deliveries must be delivered INSIDE THE DOORWAY. BWAC WILL NOT ACCEPT CURBSIDE CRATES. All truck deliveries must be ordered to arrive at BWAC Gallery, 481 Van Brunt Street, Door 7A, Brooklyn, NY 11231 from Tuesday, April 21 through Friday, April 24th. The handling fee for shipped works is $45 per package for the first 30 lbs. plus $1 per pound additional. The artist assumes all responsibility for insuring artwork against shipping damage or loss.
3. Late Arrival and Returns: BWAC reserves the right to reject and return work that is late, is deemed unstable upon arrival, is not properly presented, or differs from the submitted digital image. Returns will be solely at the artist’s expense.
Sales and Commission:
BWAC will retain a 30% commission on all exhibition sales. The price represented on the artist entry form will be the sale price. No changes will be allowed. Sold works will remain until the end of the exhibition unless the Buyer is present to remove the work during the course of the show (any time after 4PM on Opening Day). Artists will be notified of sales; if Buyer cannot remove the purchase, arrangements for shipping of works to Buyer will be the sole responsibility of the artist.
Removal:
Hand‐delivered artwork may be removed by the artist or artist’s agent on Saturday, June 27, or Sunday, June 28, 12:00 P.M. to 5:00 P.M. Shipped work will be return-shipped within 2 weeks of closing. Any work not removed during this specified time is subject to a storage charge of $50/per week or part thereof, and will be disposed of at BWAC’s discretion if not removed within six months.
Liability:
BWAC will notify artists of any damage or breakage noticed when unpacking. BWAC is not responsible for any damage, breakage, replacement or cost associated with any damage or breakage occurring during transport. Every precaution is taken in handling entries, but BWAC assumes no liability for any loss or damage to any artist’s work while in our care, custody or control, before, during or after the exhibition. Artists should provide their own insurance.
Use of Images:
Any image submitted may be used for marketing and promotional purposes directly related to this show. This use may include publication in any publications, printed materials, advertisements, or electronic media. Copyright and all other rights remain that of the artist, and attribution will be honored in BWAC materials.
Contact/Questions: Please direct all questions prior to receiving your Notification to mail to: bwacjuriedshows@gmail.com. If accepted, your Acceptance Letter will direct you to contact BWAC’s Curator(s) for further information.
Entry Agreement: With the submission of artwork into the WIDE OPEN 11 BWAC Show, the artist agrees to all the terms and conditions set forth in this Prospectus.
Goetemann Residency 2020
The Goetemann Artist Residency at Rocky Neck Art Colony provides a private, live-work studio on the scenic waterfront of Gloucester, Massachusetts. Each year this residency is awarded to three contemporary visual artists and one environmental/installation artist. For 16 years we have welcomed artists from across the US and the world to come work in Rocky Neck for one month, from May through October. Selected artists demonstrate a high caliber of work, originality and seriousness of purpose. Each artist in residence is expected to give an opening and a closing talk to help local artists stay informed of trends in the art world.
Environmental Installation 2020
Newly established in 2017, this program is an effort to bring art out of the studio and make it both visible and accessible to the public.
We encourage the creation of site-specific installations that engage the public and draw attention to questions and challenges posed by environmental policies, politics, and/or social change.
Through our partnerships with local non-profits and community programs, artists are asked to respond creatively to the concerns of the greater Gloucester/Cape Ann Community.
Applications will be juried each spring by our committee. One gifted artist will be awarded a month-long residency term which includes a waterfront live-work studio space and access to a rich cultural community.
Residents chosen are requested to host an opening and closing talk to engage with our community.
We accept applications through February 5, 2020.
Information on this year’s Environmental Installation Artist’s topic and our partner, Ocean Alliance www.whale.org:
The Committee places exceptional value on the year-round work performed by the Alliance. Their continuing efforts to protect existing whale populations while educating the public about the fragility of our oceans resonates with the entire world.
As stated on their website;
Ocean Alliance strives to increase public awareness of the importance of whale and ocean health through research and public education. We work with our scientific partners to collect a broad spectrum of data on whales and ocean life. Ocean Alliance uses this data to advise educators, policy makers, and the general public on wise stewardship of the oceans to mitigate pollution, prevent the collapse of marine mammal populations, and promote ocean and human health. Ocean Alliance, Inc., a 501(c)(3) not-for-profit Organization, and was founded in 1971.
The installation site measures 30×40’ and sits on the Gloucester waterfront exposed to strong winds and the elements in the gravel parking lot of the Ocean Alliance facility.
Highly visible to passing fishing ships, sailing and recreational boats, the site also provides free public access for tourists and visitors on foot or by car.
The artist will be given open access to the site.
The BIG Picture 2020
Wow us with your large works! Two-dimensional work may not exceed 7 feet in any direction. Works larger than 7 feet wide, please call to discuss. Minimum size 36inches in both directions. Three-dimensional work may not exceed 7 feet high. Three-dimensional work may not exceed 100 lbs. Please call to discuss outside sizes and weights. SORRY, NO PHOTOGRAPHY.
Alternative Processes
Alternative Processes, the SE Center is looking for all forms of Alternative and Antique processes, albumen to ziatype, photographers of all skill levels and locations are welcome. Digital source images are acceptable if converted to negatives and processed in a historical technique and digital reproduction of alternative technique works, either for further processing or presentation, is acceptable, photographers of all skill levels and locations are welcome.
Our juror for Alternative Processes is Jill Enfield. Jill Enfield is a fine art photographer, author and educator and a leading authority in Alternative Photographic Processes. In addition to expertise in current standard digital photo techniques for the last 10+ years, Enfield is also known for her instruction of hand coloring, wet plate collodion, and an array of other photo processes at Parsons The New School for Design, Fashion Institute of Photography, New York University, Long Island University, Brooklyn Campus, and the International Center of Photography in New York City as well as RISD.
35-40 Selected images will hang in the SE Center’s main gallery space for approximately one month with the opportunity to be invited for a solo show at a later date.
8th Annual Open Fine Art Competition
8th ANNUAL OPEN FINE ART COMPETITION
Categories 1) Water Media; 2) Oil; 3) Acrylic or Mixed Media; 4) Pastel or Drawing; 5) Photography; 6) Three Dimensional
Entry Fee - $15 –member fee and $20.00 – non-member fee per entry per piece (non-refundable) – limit 3 entries per artist.
CONDITIONS OF ENTRY - All artwork must be original fine art quality conceived and created solely by the entering artist. The majority of materials used in piece will determine the category. Artwork previously accepted into the EGFAC Open Fine Art Competition will not be accepted. EGFAC has the right to reject artwork that does not look like thedigital image. All artwork must be framed and ready to hang, and no larger than 24”x36” including the frame. Unframed oils/acrylics accepted only if the painting extends around edges (gallery wrap.) All art must be for sale. The Elk Grove Fine Arts Center will handle all sales from the exhibition and retain a 40% commission from all sales.
JUDGE– This year our judge is Michelle O’Brien, the gallery director at Elliott Fouts Gallery in Midtown, Sacramento. She received a BA in Art History from UC Davis and in her spare time runs a successful art blog called Dressed To Match, where she coordinates her outfits to match murals, art in museums, and other pieces of public art in various cities. Michelle lives in East Sacramento with her husband Sean.
Awards
First Place in each category - $200; Second Place in each category - $100; Best of Show - $300; People’s Choice Award- ribbon
IMPORTANT DATES
February 10th – Application Deadline
February 18th – Acceptance Notification – via email
February 29 and March 1 - Receiving of Accepted Artwork11-4pm, at the Elk Grove Fine Arts Center, 9683 Elk Grove Florin Road; Elk Grove 95624. Also bring your signed liability form upon delivery.
March 7th , Saturday 4-7pm Artist Reception – Category Award Winners will be announced and presented at the Reception on March 7th at 5:30 All participants and guests (family and friends) are encouraged to attend.
Show runs from March 7th through March 27th The exhibition is Free to the public.
The Elk Grove Fine Arts Center is open from 11 – 4pm, Wednesday through Saturday..
March 28 and 29 - Pick- up art work –from 11-4pm. All artwork must be picked up or a $5.00 holding fee will be charged per piece per day.
EGFAC will not be responsible for any lost or damaged art submitted to their Open Fine Art Competition. If there are too few applicants for a category, then EGFAC has the right to cancel the category and refund all entry fees.
Registration Agreement: I have read and agree to abide by the above instructions. I release the Elk Grove Fine Arts Center from all responsibility for damage, loss, or injury during the show.
ODYSSEY 2020 Print Exhibition
Welcome to The ODYSSEY Exhibition
March 20 – April 5, 2020 at the
Pennsylvania Center for Photography
Entry Deadline February 18, 2020
Entry fees are non-refundable and exhibition specific (Print / Digital) so please be sure that you have selected the correct exhibition before submitting your payment.
This category is for those who are planning on showing physical, framed prints if accepted into the exhibition. If you are planning on showing digital images, please select the Digital Exhibition instead. You may enter both the print and digital categories, but separate entry fees apply.
The ODYSSEY Exhibition at the Pennsylvania Center for Photography is one of the Northeast's premier photographic shows. Like the AMERICANA Exhibition before it, ODYSSEY Exhibition features the PCP’s hallmark dual exhibition format and consists of both a traditional print exhibition as well as a digital exhibition for photographers who are too far away to deliver physical prints or who otherwise do not wish to print their images. The digital exhibition is shown on a 65" 4K screen and is very popular with photographers and the audience alike. ODSYYEY is a large, very high quality show and over 225 images are expected to be displayed. Historically, PCP shows draw entries from 25+ states and a wide variety of foreign countries.
In addition, The ODYSSEY Exhibition will feature our unique Camera Club Challenge in which the club whose members receive the highest vote total has the opportunity to have its own digital show during the exhibition and its own gallery on the PCP website.
Follow the exhibition on Facebook at: https://www.facebook.com/pacenterforphotography/ and at the PCP website at http://www.pacenterforphotography.org/
ODYSSEY 2020 Digital Exhibition
Welcome to The ODYSSEY Exhibition
March 20 – April 5, 2020 at the
Pennsylvania Center for Photography
Entry Deadline February 18, 2020
Entry fees are non-refundable and exhibition specific (Print / Digital) so please be sure that you have selected the correct exhibition before submitting your payment.
This category is for those who are planning on showing digital images if accepted into the exhibition. If you are planning on showing physical, framed prints, please select the Print Exhibition instead. You may enter both the print and digital categories, but separate entry fees apply.
The ODYSSEY Exhibition at the Pennsylvania Center for Photography is one of the Northeast's premier photographic shows. Like the AMERICANA Exhibition before it, ODYSSEY Exhibition features the PCP’s hallmark dual exhibition format and consists of both a traditional print exhibition as well as a digital exhibition for photographers who are too far away to deliver physical prints or who otherwise do not wish to print their images. The digital exhibition is shown on a 65" 4K screen and is very popular with photographers and the audience alike. ODYSSEY is a large, very high quality show and over 225 images are expected to be displayed. Historically, PCP shows draw entries from 25+ states and a wide variety of foreign countries.
In addition, The ODYSSEY Exhibition will feature our unique Camera Club Challenge in which the club whose members receive the highest vote total has the opportunity to have its own digital show during the exhibition and its own gallery on the PCP website.
Follow the exhibition on Facebook at: https://www.facebook.com/pacenterforphotography/ and at the PCP website at http://www.pacenterforphotography.org/
Firing Imagination: Contemporary Ceramics & Glass
Firing Imagination: Contemporary Ceramics & Glass is a juried exhibition highlighting the demanding technical aspects and wide variety of creative exploration possible in these challenging media. Entries will be accepted from throughout the Western United States. The show will be juried by artists Susannah Israel and Otto Rigan. More than 50 works may be included in the exhibition and should represent the very best being created today. On view from April 8 – May 24, 2020.
Fees: Non-refundable entry fee is $15 for the first entry, $10 for each additional entry for members of the CAC; $20 for the first entry, $15 for each additional entry for non-members. Each artist may enter up to five (5) works. Members should use the promo code CAC when submitting payment for entries (status will be verified before works can be accepted).
Media: Works featuring glass and/or ceramics, in any technique, will be considered. Works in mixed media are acceptable if glass or ceramic elements are prominently included.
Awards
Best of Show: $800
Two Awards of Excellence: $400 each
Two Awards of Merit: $200 each
For complete competition details please refer to teh full prospectus on our website. www.carnegieartsturlock.org
NYC4PA WATER 2019
"Water water everywhere..... " "Don't water it down."
Water, all around us, is an essential part of our lives. How do you capture water in a photograph". Is it glistening droplets from a polar bear shaking itself off, a surfer caught in the curl, or a boat gently gliding down a river. Teardrops, raindrops, dew drops .... ice floes, waterfalls, rapids and serene lakes . The list goes on. Black and white, color, abstract - all mediums are welcome.
PMPE 2020 - DIGITAL Entry
You will upload and submit your digital image files here
PMPE 2020 - DIGITAL Entry WITH Portfolio Review
You will upload and submit your digital image files here; and receive a review of your work
PMPE 2020 - PRINT Drop-off WITH Portfolio Review
You will bring ready-to-hang prints on Feb 28 or 29; and receive a review of your work
Falmouth Art Center Open Juried Photography Exhibition 2020
Falmouth Art Center's Open Juried Photography Exhibition will be held at the Falmouth Center, Falmouth, MA from April 30- May 25, 2020. The Falmouth Art Center hosts a variety of juried exhibitions including the spring exhibition dedicated to photography. This year’s open juried photography exhibition will kick off the season for our 2020 juried shows. Photography will be hung in the art center’s main gallery, The Hermann Gallery, offering visitors to Falmouth Art Center the opportunity to view the selected images.
ENTRY IS BY WEBSITE UPLOAD ONLY: https://client.smarterentry.com/falmouthart
Visit https://falmouthart.org/ for more information about the Falmouth Art Center
Family
Some people believe that all photographs are, in fact, self-portraits, so if we expand that thinking, self is defined by our growing up and the people who shape our lives.
Photographers are mining those nearest and dearest for significant explorations of their personal histories and the result is an exciting and varied look at family. As participant observers, we document and at the same time, participate in familial worlds. Let us in and show us what is behind the front door.
Think literally and figuratively, monochrome or color, all subjects, analog, digital or antique processes, photographers of all skill levels and locations are welcome.
Our juror for the Family is Aline Smithson. After a career as a New York Fashion Editor and working along side the greats of fashion photography, Aline Smithson discovered the family Rolleiflex and never looked back. An artist now represented by galleries in the U.S. and Europe and published throughout the world, Aline continues to create her award-winning photography with humor, compassion, and a 50-year-old camera
NYC4PA DECAY CORROSION RUST 2019-20
There are new shiny things all around us, but are they as interesting as an old rusted car, peeling paint on a run down building, or half fallen walls in a dilapidated castle. There is amazing beauty in the decayed, the corroded, the rusted... making those images more compelling and interesting than those of readily available brand new items!
Consider the amazing textures and colors in an abandoned, dilapidated factory, the rust on an old bike, contrasting plaster and lathing on a corroded wall and the myriad of possible captures in a junkyard. Neighborhoods, disparagingly called "run down", are treasure troves of "decayed" tumble down houses, "corroded" discarded toys, "rusted" cars, trash cans and so on.
Decay, Corrosion, Rust.... can take many forms; black and white, color, abstract - all photographic media are welcome.
Awash with Color 2020
Watercolor Artists of Sacramento Horizons invites all WASH members to enter our 42nd annual juried watercolor exhibition, “Awash with Color 2020.” This is your chance to shine! Not a member? Join us, show with us! Please see prospectus for full show rules.
AWARDS
Best of Show $200
2 Awards of Excellence $100 each
4 Awards of Merit
Named Awards
8-10 Honorable Mention Awards
Up to $3000 in cash and merchandise prizes from our generous sponsors and donors.
WASH, as the premier watercolor association in the Central Valley, is uniquely situated to attract watermedia artists of all levels from all over the Northern California and Eastern Nevada region. In our permanent home at the Sacramento Fine Arts Center featuring a large studio and three spacious galleries with new lighting systems, work is proudly displayed to its best advantage.
In our forty two years as an organization, we have had many accomplished artists jury our exhibitions. This year the judge for our member show will be Carolyn Lord, a signature member of National Watercolor Society and the California Watercolor Association and a distinguished plein air artist.
All entries are to be brought in person, or by proxy, to Sacramento Fine Arts Center 5330-B Gibbons Dr. Carmichael, CA 95608 on the dates below. If you have trouble entering online, or need to arrange a different drop-off date, please contact AlysLynn Lemke, Show Coordinator at alyslynn@att.net.
RECEIVING DATES
Friday, March 13, 1-5pm and Saturday, March 14, 11am-2pm
SECOND SATURDAY ARTIST RECEPTION
April 11, 5:30 – 8:00 pm, Awards Presentation – 7:00 pm
ENTRY FEES
$15 per entry or $40 for 3 entries (non-refundable)
Limit of 3 entries accepted per member
Two to three paintings per artist will be hung, space permitting
MEMBERSHIP DUES
$60 for SFAC and $25 for WASH per year
Entry fees and dues also accepted at receiving
NVAL 2020 Regional Photography Show
TOTAL AWARDS $1000
ELIGIBILITY
This show is open to all photographers residing in Northern California and Southern Oregon as follows:
- Sonoma, Napa, Solano, Yolo, Sacramento, El Dorado and all counties north to the California border.
- Southern Oregon counties of Coos, Douglas, Curry, Josephine, Jackson, Klamath, Lake, Harney, and Malheur.
JUROR - GEOFF FRICKER
Geoff Fricker, MFA, San Francisco Institute of Art. Mr. Fricker established and directed the photography program at Butte College for over 30 years. His photographic interests span the range of subjects, from street photography to industrial and natural landscapes. Since the 1990s, Mr. Fricker has concentrated on water landscapes, culminating in his most recent publication, Sacrament: Homage to a River (2014), which documents the natural and cultural forces influencing the Sacramento River region. Please see the Prospectus for more information.
Regional Show Framing Program -- $15 to rent one of NVAL's frames and have NVAL frame your work. FOR DETAILS, go to NVAL.org, select Shows/Photography/Regional and click on the Framing Program link
2020 Small Works National Competition
This annual competition assembles the finest display of 2 dimensional, original paintings with the highest quality in workmanship, color, value, composition, style and diversity.
With a maximum size of 16 inches in any direction, including frame, artists will compete for one of ten awards, ranging from $750 to $25. All work must be for sale.
All entries must be the original work of the artist created after May 1, 2015 and done without the supervision of an instructor; mechanical copy aides; or computer programs. No replicas of any portion of another artist’s published or copyrighted work may be included. No photographs or over-painted photographs.
Entry fee is $25 for the first entry and $10 for each following entry. Entries will be juried, selecting the top 90 paintings from which a highly qualified judge will select the award winners.
For more details and prior to entering, one must read and agree to the attached prospectus.
2020 Spirit of Flight Juried Photography Competition
Exhibit participation is open to all photographers. The exhibit will go on display in the Museum of Flight's Great Gallery beginning May 30, 2020 and will be on display for approximately 3 months.
Theme:
For this year’s exhibition, we request images that reflect upon the “Spirit of Flying Home.” Inspired by the 75th anniversary of the end of World War II, and the boundless emotions felt the world over by returning service members and families after the extended global conflict.
The Museum's jury panel will select three prizewinning images from the show to feature in the Museum magazine, Aloft. Prizewinning photographers will also receive a complimentary museum membership.
14th Annual Winyah Rivers Alliance Photo Contest
Photo Contest 2020
Now Open through April 1st, 2020!
The 14th Annual Winyah Rivers Alliance Photo Contest - Promoting the beauty of our local rivers and raising funds for Winyah Rivers Alliance and our RIVERKEEPER® Programs
Rules for Entering:
- The contest is open to everyone. Emphasis in judging will be given to photographs that show the splendor and charm of our local rivers and ecosystems.
- Each contestant may enter as many photographs as desired. Entry fee is $11.00 per photograph.
- Entry Categories are: a) Georgetown County Heritage (iconic); b) Scenic; c) Wildlife
- The photographs should have been taken in North or South Carolina
(note: for the Georgetown County category, the photo must be taken in Georgetown County, SC) - Each contestant agrees to allow Winyah Rivers Alliance, and its sponsors, to use their entries, without compensation, to promote our goal. This may include exhibition, calendar, and fundraising. All entrants will retain the right to their work.
- To enter, go to https://client.smarterentry.com/WinyahRivers. No need to resize your image; the website will resize it to fit. Should your image win, a TIFF or PSD file at 300 PPI must be made available for printing purposes.
- Winners will be contacted prior to, and announced at, a reception to be held at the Waccamaw Library in Pawley’s Island on Friday, May 1st from 5:30 pm-7:00 pm.
Winning photographs will hang in the library, followed by other tour venues. Winners will receive their photograph at the conclusion of the tour. - The following awards will be presented:
Best of Show - $150.00
1st Place in each category - $100.00
Second and third place winners will also receive prizes.
Winners are eligible for only one prize.
- All entries must be received by MIDNIGHT on April 1st, 2020.
- For questions, email photocontest@winyahrivers.org.
We are grateful to our 2020 Contest Sponsors: Tidelands Photography Club, 803 LABS, Inc., Frances P. Bunnelle Foundation, Waccamaw Library & Friends of Waccamaw Library, and Winyah Rivers Alliance, a 501(c)(3) nonprofit.
Spring Open - 2020 - National All Media
Open to all emerging & established artists in all media. Cape Cod Art Center seeks submissions for “Spring Open – 2020”. Artists from near and far are invited to participate in this annual exhibit. Any subject matter will be considered. There is a special award for Best Cape Cod Landscape. Up to $1,500 in cash awards given.
Members must enter CCAC in the discount code box, then click apply for member discount. *Membership status will be verified*
Take the best picture of your art and submit your JPEG's by April 19, 2020 by midnight.
Entries must be of original work, they cannot be a copy of another painting; a magazine or newspaper photo, or any type of reproduction; the entry must be the artist's own composition. No crafts or commercial prints may be accepted.
Artist notification by email and posted on our website on May 1, 2020. All those who submitted jpegs will be emailed. If you do not receive an email by May 1st, contact kate@capecodartcenter.org.
Elyssa M. Cohen, Rick Fleury and Deborah Quinn Munson are judging this exhibit. Go to our website for more information regarding the judges. www.CapeCodArtCenter.org
Go to our website for the exhibit prospectus.
The jury may accept a maximum of two works from any one artist. Payment is non-refundable and does not guarantee acceptance.
Spring Open is on display at CCAC from May 18 - June 13, 2019.
"Spring Open 2020" Exhibit Thumbnail image by Judith Freeman Clark, "Garden Royalty", watercolor
2020 San Francisco Bay International Photography Awards
Show your work to our influential jury!
$3,000 in Prizes.
Gold, Silver, and Series Awards.
Be a part of the signature exhibition of the San Francisco Bay Month of Photography.
Haggin Museum 61st Juried National Exhibit 2020
2020 National Art Competition - 61st year for Haggin Juried Show
MEDIA: Acrylic, Oil, Watermedia, Mixed Media, Encaustic, Graphics, Pastel, Sculpture, Photography
Event: September 3 - November 1, 2020
Location: Haggin Museum, 1200 N. Pershing Avenue,
Stockton, CA 95203
Reception/Awards: Thursday, September 3, 2020 6:00-8:00 pm. Awards at 7:30 pm
2020 Art of the Heartland National Competition
As one of the nations most prestigous, juried competition of representational work, it showcases the diverse work from regional and national artists. The show’s dates coincide with our greatest tourist season, generating thousands of additional residents to the area.
This exhibition is limited to original, two-dimensional paintings in oil, watercolor, pastel, acrylic, and other mediums completed in the last five years. Computer-generated art, photography, or over painted photography are not eligible. The size is restricted to 36 inches, including frame in any direction. For complete information, read our prospectus carefully.