Calls For Entry
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NYC4PA SUMMER 2018
In lieu of our usual summer greeting NYC4PA invites you to celebrate summer with an special call for entry this year. The theme, simply and naturally, is "SUMMER". Any images that represent summer to you are welcome. For those in the northern hemisphere summer is from June through September and in the southern hemisphere November through March. Whichever months your summer spans it is the season of long days, warm temperatures, swimming, beaches, lakes, pools, and street hydrants splashing. It is also the season of charitable summer camps for inner city youth and temporarily halted school romances. As you can see the scope is broad from sun tanning and baseball to kids making the best of it in city streets and bathing suits drying on the line. How do you capture summer?
TRANSFORMATIONS 2018 - Digital Exhibition
Welcome to TRANSFORMATIONS!
November 2 - November 18, 2018 at the
Pennsylvania Center for Photography
Entry Deadline September 26, 2018
Entry fees are non-refundable and exhibition specific (Print / Digital / Unlimited) so please be sure that you have selected the correct exhibition before submitting your payment.
This option is for people who will have their images displayed digitally on our 64" 4K screen, if selected by the judge(s). If you wish to have your photographs displayed on the walls as prints rather than as digital images, if selected by the judges, please use the Print Exhibition option instead!
The Pennsylvania Center For Photography is pleased to announce TRANSFORMATIONS, a juried exhibition that pays tribute to the vision and skills of photographers who freely express their creativity by whatever means they choose. If you have been rejected from other shows or your work questioned because you use textures, composites, filters, or any of the other wonderful tools available to create your own vision, then you have found your home! Welcome to TRANSFORMATIONS!
Photographers working in all genres are invited to submit work for possible inclusion in the exhibition. The subject matter can be anything you want – literally! People, places, things, visions are all fine with us.
The only requirements are that the images must be two-dimensional and have started life in a camera. You can modify or create the physical environment, apply in-camera techniques, or use post processing to realize your own artistic reality. We are a very inclusive organization, so any degree of alteration from mild to extreme is welcome in our show.
Please see the full Prospectus as by entering you are agreeing to its terms.
The cost to enter is $25.00 for the first two images and $5.00 per additional image. You may enter both the Print and Digital Exhibitions but separate entry fees apply.
Please visit our website at http://www.pacenterforphotography.org/
and our Facebook page at https://www.facebook.com/pacenterforphotography/
https://www.facebook.com/henry.rowan.98
TRANSFORMATIONS 2018 - Print Exhibition
Welcome to TRANSFORMATIONS!
November 2 - November 18, 2018 at the
Pennsylvania Center for Photography
Entry Deadline September 26, 2018
Entry fees are non-refundable and exhibition specific (Print / Digital / Unlimited) so please be sure that you have selected the correct exhibition before submitting your payment.
This option is for people who will display phyiscal prints on the walls of the gallery, if selected by the judge(s). If you wish to have your photographs displayed on the hi-res display, rather than as prints, if selected by the judges, please use the Digital Exhibition option instead!
The Pennsylvania Center For Photography is pleased to announce TRANSFORMATIONS, a juried exhibition that pays tribute to the vision and skills of photographers who freely express their creativity by whatever means they choose. If you have been rejected from other shows or your work questioned because you use textures, composites, filters, or any of the other wonderful tools available to create your own vision, then you have found your home! Welcome to TRANSFORMATIONS!
Photographers working in all genres are invited to submit work for possible inclusion in the exhibition. The subject matter can be anything you want – literally! People, places, things, visions are all fine with us.
The only requirements are that the images must be two-dimensional and have started life in a camera. You can modify or create the physical environment, apply in-camera techniques, or use post processing to realize your own artistic reality. We are a very inclusive organization, so any degree of alteration from mild to extreme is welcome in our show.
Please see the full Prospectus as by entering you are agreeing to its terms.
The cost to enter is $25.00 for the first two images and $5.00 per additional image. You may enter both the Print and Digital Exhibitions but separate entry fees apply.
Please visit our website at http://www.pacenterforphotography.org/
and our Facebook page at https://www.facebook.com/pacenterforphotography/
https://www.facebook.com/henry.rowan.98
Note: The requested dimension size should include the frame!
TRANSFORMATIONS 2018 - The Unlimited Exhibition
Welcome to TRANSFORMATIONS!
November 2 - November 18, 2018 at the
Pennsylvania Center for Photography
Entry Deadline September 26, 2018
Entry fees are non-refundable and exhibition specific (Print / Digital / Unlimited) so please be sure that you have selected the correct exhibition before submitting your payment.
This option is for people who are submitting digital art, derivative images, phoneography, and any of the other manifestations of photographically based art. The images will be displayed digitally on a hi-res monitor, if selected by the judge(s). If you wish to have your photographs as a framed print, if selected by the judges, please use the Print Exhibition option instead!
The Pennsylvania Center For Photography is pleased to announce TRANSFORMATIONS, a juried exhibition that pays tribute to the vision and skills of photographers who freely express their creativity by whatever means they choose. If you have been rejected from other shows or your work questioned because you use textures, composites, filters, or any of the other wonderful tools available to create your own vision, then you have found your home! Welcome to TRANSFORMATIONS!
Photographers working in all genres are invited to submit work for possible inclusion in the exhibition. The subject matter can be anything you want – literally! People, places, things, visions are all fine with us.
The only requirements are that the images must be two-dimensional and have started life in a camera. You can modify or create the physical environment, apply in-camera techniques, or use post processing to realize your own artistic reality. We are a very inclusive organization, so any degree of alteration from mild to extreme is welcome in our show.
Please see the full Prospectus as by entering you are agreeing to its terms.
The cost to enter is $25.00 for the first two images and $5.00 per additional image. You may enter both the Print and Digital Exhibitions but separate entry fees apply.
Please visit our website at http://www.pacenterforphotography.org/
and our Facebook page at https://www.facebook.com/pacenterforphotography/
RIWS Presents: Artists Choice
The Rhode Island Watercolor Society Presents:
***Artist Choice***
For this open juried show, RIWS invites artists to submit up to 3 works of art in any 2D media with a completly open theme. This is a great opportunity for artist to submit something they are really proud of, but might not otherwise fit into a more traditional theme. This show is meant to be a springboard of inspiration for the artists applying to this show, not as a way to hinder in intrude upon an any artist create process. Be yourself.
-Open To All 2D Media-
Open to:
Any artist residing in New England
Juror:Marla Greenfield
Exhibition dates:
November 10- January 3
Opening reception:
November 10, 2-4pm
Submit online:
Sept 21 - Oct 27
Drop off of accepted pieces by:
November 8 at 2:00pm
Pick up:
January 10-20
All Entries are not refundable at this time.
2018 smallWORKS Exhibition
smallWorks is a juried exhibition presented in the Riverside Galleries at Garrison Art Center, December 8, 2018 – January 6, 2019, open to artists 18 and older working in 2 and 3 dimensional media. This year, applicants are asked to bridge the gap between 2D and 3D – thus the title “2½ “. What form will that take? It is up to you.
2½ D works must be no greater than 20 inches at largest dimension. Must be limited to 35 pounds. Wall hung assemblage and reliefs accepted.
First Place entry will receive $500, Second place entry will receive $300.
Juror: Christina Kee is a New York based artist, art writer and curator currently working with The William Louis-Dreyfus Foundation. She has been a contributor to artcritical and hyperallergic, and written catalog essays for emerging and established artists including Jack Bush, Karlis Rekevics and Esteban Vicente. She recently contributed an essay to “As in Nature: Helen Frankenthaler Paintings,” accompanying an exhibition at the Clark Art Institute, and is currently working on an essay of Graham Nickson’s work. She has been a frequent moderator for the New York Studio School Evening Lecture Series and appeared regularly as a speaker on the National Academy’s artcritical Review Panel.
2018 Shades of Gray
This is a Black and White Fine Art photography show for the artists of New Mexico.
It is a jurried show and is held the entire month of December.
Alternative Perspectives
What one person sees is not always the same as what another's view will be. Each person's past, coupled with their personality, provides a multitude of opinions and with that alternative solutions. One person might see a cloud as just a cloud while another sees a face, both people have a different view of the same thing.
Tina Garrett 3-Day Starting Methods from Life Workshop
Note: When submitting your entry so that it enters correctly, "image one" is your deposit. This is paid to reserve your place. Your second "entry or image" is the balance, due before September 30.
About the Course: 3-Day Starting Methods Workshop from Life with ARC Associate Living Master, Tina Garrett.
All levels welcome to participate in this comprehensive study of oil painting starting methods. Lessons include, open grisaille, accurate color wash, and Tina’s favorite, selective start. Students will gain understanding of form, value, temperature, edges and composition as well as color mixing, as Tina demonstrates how to control your palette for accurate values and color.
Tina will share her strategies that helps anyone achieve accurate drawing and her methods for taking your portraiture from a simple documentation of a likeness to a work of art. Tina will share insights on posing the live model. Painting from photographs vs. painting from life, studio lighting and painting materials will also be taught. Tina will demonstrate from the live model each morning and assist artists individually as they paint from the model each afternoon. Models will be a different color type each day.
As a Gamblin Dedicated Workshop Instructor, there will be both free samples and supplies that may be purchased during the workshop. The three days are designed to be progressive, so that the student has a full understanding of the correct execution of the methods.
Onsite lodging is available. See details here: www.barakafarm.com/Art.SWA/treehouse/index.html
Works On Paper
November 8–December 21, 2018
Works On Paper
OPENING RECEPTION: Thursday, November 8, 6–8PM
National Show Open to original works of Works On Paper
Juried by Andrew Witkin, Witkin Krakow Gallery
ENTRY DEADLINE: Monday, October 1, 2018
ALL WORKS MUST BE FOR SALE. South Shore Art Center receives 40% of the purchase price. Please submit only work that will be available at the time of the exhibition and will remain for its entirety. Work must have been created within the past three years. No accepted entry may be withdrawn prior to the close of the exhibition. No pricing changes will be allowed after acceptance. Living artists only. Work that is copied or done under the guidance of an instructor is not eligible. Entries must not have been previously exhibited at SSAC or the SSAC Arts Festival. If the work does not fully reflect what is represented on the jpeg, South Shore Art Center reserves the right to eliminate it from the exhibition.
SPECIFICATIONS
Two-dimensional work must be professionally presented and firmly wired. No sawtooth hangers, no sandwich frames. 3-D work should include a sturdy pedestal.
NOTIFICATION
Accepted entries will be notified by email and posted on the website by October 10, 2018. If for any reason you do not receive your notification by the notification date, please check the junk mail folder in your email account. Shipping instructions will be sent by email.
DELIVERY / RETURN OF ACCEPTED ARTWORK
Shipping, return shipping and a handling fee for shipped work are the responsibility of the artist. Delivery instructions will accompany email notification of acceptance. (Delivery by Thursday, Nov 1, 2018; work returned by Thursday, January 10, 2019.) A handling fee of $25 is required for shipped artwork.
Hand delivered works may be picked up at the end of the exhibition.
LIABILITY
I understand that South Shore Art Center will insure work accepted to the extent of 60% of the artist’s stated value while the work is in the Art Center’s custody and control.
AGREEMENT
Submission to Works On Paper constitutes an agreement with all conditions of this show. South Shore Art Center reserves the right to photograph or use a submitted image for an accepted work for publicity purposes. South Shore Art Center reserves the right to reject any work not resembling the submitted entry or work that is not ready to be shown according to the aforementioned specifications.
PRIZES
First Prize $500
Second Prize $300
Third Prize $200
ALL WORKS MUST BE FOR SALE. South Shore Art Center receives 40% of the purchase price. Please submit only work that will be available at the time of the exhibition and will remain for its entirety. No accepted entry may be withdrawn prior to the close of the exhibition. No pricing changes will be allowed after acceptance. Living artists only. Work that is copied or done under the guidance of an instructor is not eligible. Entries must not have been previously exhibited at SSAC or the SSAC Arts Festival. If the work does not fully reflect what is represented on the jpeg, South Shore Art Center reserves the right to eliminate it from the exhibition.
Click! Photobook Competition
Call for Entries: Click! Photo Book Exhibition.
The Click! Photography Festival is pleased to announce our first Click! Photo Book Exhibition. Winners will be exhibited at Horse & Buggy Press during the Click! Photography Festival on October 6th at 1p.m. Entries will be eligible for one of three purchase awards given by the Joseph C. Sloane Art Library at the University of North Carolina at Chapel Hill.
Books should be self-published or hand made and primarily photographic in nature, though other mediums are allowed. Submissions should be books of your own work or a collaboration.
Online entry forms with payment should be completed by September 26th. Please indicate the sales price of the book, or if it is not for sale. 20% of book sales will go to Horse & Buggy Press. Books should be shipped to Horse & Buggy press in order to arrive by October 1 at the following address with a return shipping label enclosed (we prefer FedEx):
Horse & Buggy Press
Click! Photobook Competition
1116 Broad St.
Suite 101
Durham, NC 27705
Dates:
Books arrive at Horse & Buggy Press by: Oct.1, 2018
Notifications of selected books: Oct. 5th
Opening Reception: October 6, 2018 at 1 p.m.
Books returned: Before November 30th, 2018
- NOTE: Please upload a reference jpg in your entry to be used in show labels. Do NOT upload a PDF of your entire book! Judging will take place with the actual book.
Immediately following the opening reception will be a Click! Academy talk by Mary Virginia Swanson on book publishing at the Center for Documentary Studies a Duke University auditorium, followed by a panel discussion by the jurors and special guests.
Meet Our Jurors:
Dave Wofford
Dave Wofford has manned the reins of Horse & Buggy Press since 1996. During this time he has designed over 100 books for a variety of publishers and individuals, many of which have won awards for their design, production, and content. While Dave most often works for other publishers, museums, and organizations, he has collaboratively published over twenty fine press books for established artists (Allan Gurganus, Rob McDonald, Catharine Carter, Roger May, John Lane) and many of these titles utilize in-house letterpress printing, hand-sewn bindings, specialty papers, and other high end production touches that elevate the books into aesthetically rich cultural artifacts. The design studio is located in Durham, North Carolina and is aptly known as Horse & Buggy Press and Friends as Dave also curates a 500 square foot storefront gallery featuring the work of over 20 artists and craftspersons, and sublets two artist studios in the back of the mixed use space.
Mary Virginia Swanson
Mary Virginia Swanson is an author, educator and advisor who helps artists find the strengths in their work, identify appreciative audiences and present their work in an informed, professional manner. Her public seminars and lectures on marketing opportunities have proven to aid photographers in moving their careers to the next level.
Swanson co-authored with Darius Himes the acclaimed Publish Your Photography Book: Revised & Updated (2014) and continues to stay current on the growing market for photobooks, reflecting both the relative ease of self-publishing and the rise of the collectible photobook market.
She frequent serves as a Judge on contemporary photobook competitions.
Website: mvswanson.com; Instagram: @maryvirginiaswanson.
Alice Whiteside
Alice Whiteside is Head of the Joseph C. Sloane Art Library at the University of North Carolina at Chapel Hill. She has been an art librarian for eight years and believes in the power of libraries to foster creativity, self-discovery, and community. In her current role, Whiteside manages operations, services, programming, and collections for the Sloane Art Library. Among her collecting responsibilities, she curates the library’s substantial collection of indy- and self-published photobooks. When she is not selecting books or helping students, you’ll find her planning Wikipedia Edit-a-thons and crafting zines to demystify the library. Whiteside holds a BA in Art History from Bard College and an MSLS from UNC-Chapel Hill.
Theme | The Portrait
In her book, Portraits and Persons, writer Cynthia Freeland describes three essential elements that constitute a portrait: “(1) a recognizable physical body (2) an inner life, i.e., some sort of psychological or mental states and (3) self-presentation, or the "posing.”
Praxis Gallery seeks the submission of photographs that celebrate the aesthetic and conceptual considerations involved in the creation of the portrait: revealing personal narratives or new anthologies through the artistic representation of the subject. All genres, capture types, color and black & white, traditional and non-traditional photographic and digital post-production processes are welcome for submission.
Juror | Douglas Beasley
Douglas Beasley’s personal vision explores the spiritual aspects of people and place and is concerned with how the sacred is recognized and expressed in everyday life. He has a BFA from the University of Michigan, Ann Arbor and has had several books of his photography published worldwide.
As founder and director of Vision Quest Photo Workshops, Doug provides workshops around the world that emphasize personal expression and creative vision over the mechanics of camera use. He believes in helping each student find their own voice rather than making anonymous ‘pretty pictures’. Doug has recently become the owner and publisher of Shots Magazine, a printed quarterly of eclectic fine-art photography.
Fauna
Fauna- all the animal life of a particular region. We live with animals daily - wildlife, farmed, caged or free, many are our best friends, some we fear, yet others we admire. Whether it walks, flies, crawls, slithers, swims, the SE Center wants your best animal images.
Analog and digital manipulation in all its forms welcome. Monochrome or color, all subjects, analog, digital or antique processes, photographers of all skill levels and locations are welcome.
35-40 Selected images will hang in the SE Center’s main gallery space for approximately one month with the opportunity to be invited for a solo show at a later date. Openings are timed to coincide with Greenville, South Carolina's First Fridays, a celebration of art, food and music. Participating artists that can attend have the opportunity for a Portfolio Review by SE Center Director Michael Pannier on the following Saturday morning (reservations needed).
In addition, the SE Center announces the SE Center Purchase Award. One image, from those selected for inclusion in the exhibition, may be purchased from the artist for inclusion in the SE Center's collection.
AMERICA NOW F-Stop Group Show 2018
Dear F-Stoppers.
It seems like summer is going by at record speed. I have been traveling to make photographs of what America Now looks like to me. In addition to my wandering around in Minnesota, we just got back from a trip to Montana and a brief stop in North Dakota.
I photographed a Demolition Derby in Livingston Montana, photographed Indians from Canada at the Little Big Horn and many tourists at Yellowstone. There were some small town portraits and tourists vs. buffalo at Theodore Roosevelt National Park. Thinking about this idea of America Now, it's very opened-ended. There is a polarization of our political ideas but the people I photographed were just busy raising families and living their lives. There were a lot of foreign tourists at Yellowstone just being tourists. I guess America is always in a state of transition and the pendulum of politics is always swinging.
I think whatever you are photographing this summer in your cities, lakes, forests, and towns will work in our theme, it is so inclusive.
This competition is Open to all F-Stop Members and participants that have been attending monthly meetings at the Mpls Photo Center over the past 2 years. Please submit up to 3 photographs online for consideration, by October 10, and Sally and I will select one of your images that works best for this exhibit.
Opening Reception at the Mpls Photo Center Friday, November 9!
Sincerely,
Tom Arndt
VAGF Wall at Frisco Fine Art Gallery
Visual Arts Guild Frisco is proud to partner with Frisco Fine Arts and offer to our members an opportunity to showcase their artworks at the gallery on ‘VAGF wall’. To qualify, an artist must be an active VAGF member for 24 month or more and exhibited in two juried VAGF shows at the Frisco Discovery Center during past 24 months. This ‘VAGF wall’ exhibition will be year-round and will be rotated every month. Submission deadline for November is October 12; acceptance: October 16; take in: November 02.
Please note that it is a curated exhibit and not all submitted artworks will be exhibited.
VAGF and the Gallery retain total of 40% sales commission.
Please submit at least 3 images.
All submitted works should be ready-to-hang with wire taut at the upper fourth of the frame. Saw hook hanging will not be accepted. All works on 1/2” canvases should be framed. All the works on 1” to 2” canvases need to have neatly painted edges if not framed. Multi-unit works must be connected so that they can be hung / displayed as a single unit.
Contact info@vagf.org with any questions.
See Me 2018 - Digital Art Online Exhibit
Cape Cod Art Center is seeking entries for their "See Me" Digital Art Online Exhibition.
How do we see ourselves? Who are we really? This is an invitation to create an image in which we portray ourselves in our deepest visions.
An introspective look at how others may see us or how we see ourselves. Do we feel that we are not seen? Do we want to be invisible or not to be seen? Also, a look at how we interpret our world. Not a self portrait in the strictest sense.
Digital art is an artistic work or practice that uses digital technology, as an essential part of the creative or presentation process. This includes the use of computers, mobile or portable handheld devices. Photography may or may not be in included in this creative work of art.
Entries must be of original work, they cannot be a copy of another painting; a magazine or newspaper photo, or any type of reproduction; the entry must be the artist's own composition. No crafts or commercial prints may be accepted.
Everyone of any level is invited to submit to this open juried online exhibit. Any interpretation of the theme will be considered.
Entries due by Sunday, October 21st by midnight.
Artist notification by email on November 2nd. Online exhibit on website will become live on November 2, 2018.
This online exhibit is being juried by Rebecca Bruyn.
The juror may accept a maximum of two works from any one artist. Payment is non-refundable and does not guarantee acceptance.
Cash prizes awarded for Best in Show, Second Place and two Honorable Mentions.
Image icon is "See Me", by Rita Colantonio
Eleventh Annual Cup Show: Form and Function
Gulf Coast State College Amelia Center Gallery is hosting its annual juried exhibition that explores the idea of the drinking vessel. The focus of the exhibit is on the function and concept of the drinking vessel, including its relation to history, politics, craft, technology, utility, and narrative. It is a survey of the wide variety of approaches to contemporary ceramics through the lens of the most intimate and accessible vessel – the cup.
Members' Exhibition Part I (M-Z)
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Members Exhibition Part II (A-L)
This is the 63rd Annual Art League of Long Island Members' Exhibition. Due to the large response to this exhibit, it is split in half by alphabet. All entrants are entitled to exhibit one work. Photo of your work is not required. All entries will be exhibited. This year, Part I is M-Z and Part II is A-L. The juror for awards is Stephanie Gress, Director of Curatorial Affairs for the Suffolk County Vanderbilt Museum. Please email JPEG of work for possible use in promotional materials to gallery@artleagueli.org. This exhibit is open to members only. Not a member? Not a problem. Call 631-462-5400 ext. 222
2019 Environmental Photography Exhibition
Submission Agreement
Please read the entire agreement.
Colorado Environmental Film Festival
Environmental Photography Exhibition
Call for Entry deadline: Wednesday, October 31, 2018
Notification Date: Friday, November 30, 2018
Physical Delivery Date Deadline: Friday, February 15, 2019
Opening: 5:30 PM Friday, February 22, 2019
Exhibition February 22 - April 26, 2019
Call for Entries:
The Environmental Photography Exhibition is a worldwide curated environmental photography exhibition held at the American Mountaineering Center in Golden, Colorado and is in its ninth year as a part of the Colorado Environmental Film Festival (CEFF). Images from the submissions will be selected by renowned environmental photographer Chris Brown and displayed from February 22 to April 26, 2019. From avant-garde to f64 images, the Environmental Photography Exhibition hopes to represent the shared visions of world communities that are concerned about environmental issues. This exhibit is intended to inspire viewers on an emotional level. Ideally photographs will inform and inspire viewers to think about the environment or motivate them to take action. Please visit http://www.ceff.net/photography-exhibition/ to see previous entries.
Who should consider entering: All photographers from around the globe, using all styles and processes are encouraged to enter.
Divisions: There will be two separate age Divisions, Adult (18 and over) and Youth (under 18). Age of entrant will be determined by their age on the day of the final submission deadline. There must be a minimum of 5 entrants in a given Division, otherwise CEFF reserves the right to cancel that Division and move those submissions to the other Division.
Selections: Submission does not guaranty that the images will be chosen for the exhibition. Accepted prints may be offered for sale, but must remain through the end of the show. Submitters (or parent or guardian for the Youth submitters) warrant that entries are their work and accept the submission choices made by the Festival’s juror(s) as final. This year photographer Chris Brown will judge the entries. In the event any juror is unable to judge, the Director of the Exhibition may substitute or serve as an alternate.
Awards: There will be one Best of Show for the Adult Division and one Best of Show for the Youth Division. Each shall be awarded $250. There will also be two Juror’s Awards (no monetary award). All awards are made based upon consideration of the actual exhibited prints on the wall.
Entries: By following the links to our online submissions manager, Smarter Entry, entries are taken and fees paid. Details for the submission process is provided at the Smarter Entry web site. (For example, only entries submitted up to 1,280 pixels on the long side are accepted.) It is important that you not watermark your images to maintain anonymity during the judging process. Photographs chosen for the show will be made from the on-line submissions which will be judged digitally. Only after an entry is accepted is a physical print needed. Any entrant failing to comply with the terms and conditions of entry, or the detailed submission process, may be disqualified from this competition.
Entry Fee: The non-refundable fee is $10 for the first image submitted. Additional entries may be submitted for an additional $10 each. There is a limit of twelve (12) images total that can be submitted. There are no refunds.
Important Dates to Remember:
• The Call for Entry deadline is Wednesday, October 31, 2018. This is the deadline for submitting your entries on line.
• The Notification Date is Friday, November 30, 2018. This is the date that you will receive notification if your entry has been accepted into the show
• Physical Delivery Date is Friday, February 15, 2019. If you are notified that your entry has been accepted into the show, this is the deadline by which your entry must be delivered and received by the Colorado Environmental Film Festival in Golden, Colorado in order to be displayed. Specific mailing instructions will be sent to selected entries. in order to be displayed.
• The Exhibition will be open to the public starting Friday, February 22, 2019.
• There will be an open reception at the Mountaineering Center on Friday, February 22, 2019 at 5:30 PM.
Delivery: You can either hand deliver or ship your work directly to the Colorado Environmental Film Festival. It is required that those desiring to ship will ship their work postage paid and also include a return to sender shipping label, postage paid. In keeping with our environmental theme, any work packed in Styrofoam pellets will not be opened or eligible to be hung. For those photographers sending work without the return postage, it will be assumed that they agree to the donation of their work. To be clear, shipping or hand delivery to and return from the “Gallery” is the responsibility of the artist. The shipping specifications will be sent via e-mail after acceptance into the show.
Final Presentation: Accepted images require professional quality framing with plexiglass or glass, white over-mat (or off-white) and wire on the back ready to hang. Colored mats or prints without over-mats are not acceptable. Framed prints need to be a minimum 14 inches by 17 inches and maximum of 24 inches by 36 inches.
Ownership: Photographers (or parent or guardian for the Youth Division) submitting photographs certify that the work is the property of the photographer and that the photographer owns all rights and title to the work including copyright and trademarks to the work.
Usage Rights: By submitting to the call for entry, entrant represents, acknowledges and warrants that the submitted photographs are original works created solely by the entrant and that no other party has any right, title, claim or interest in the photographs. In consideration of providing the exhibition, each entrant (or parent or guardian for the Youth Division) grants a worldwide, irrevocable license to the exhibition to feature any or all of their submitted images in electronic or print form in their, or their sponsors, promotions for future exhibitions in the following years.
Liability: While the Exhibition will take every precaution and care for work submitted, it can’t be liable for damage or loss for prints and frames while at the show or in transit. Selected prints need to be insured for possible losses or damage by the submitter.
Indemnification: Submitting photographers (or parent or guardian for the Youth Division) agree to indemnify, defend and hold The Environmental Photography Exhibition, The Colorado Environmental Film Festival, The American Mountaineering Center, their staff, volunteers, judges, sponsors and and all others harmless from any claim, expense or demand, including without limitation reasonable attorneys’ fees, made by any third party due to or arising out of issues with photographic submissions, or the photographer’s violation of any law or the rights of a third party.
Applicable Laws: This Agreement shall be governed by the laws of the United States and the state of Colorado, without consideration of conflicts of laws provisions and principles. All claims between the parties, regardless of legal theory and whenever brought, shall be resolved in Jefferson County, Colorado. If, for any reason, any section or provision of this Agreement or any part thereof, or the application of such section, provision or portion is declared invalid or unconstitutional, the remainder thereof shall not be affected by such declaration.
Jurors Decisions are Final: Selection of images to be shown is the sole decision of the juror(s). All decisions of the juror(s) are final. All information concerning the judging and winners is considered to be proprietary and confidential. The Festival reserves the right to modify or alter the exhibition venue or schedule in the event of unforeseen circumstances. Any entrant failing to comply with these terms and conditions may be disqualified from the competition.
CEFF reserves the right to modify these rules at its sole discretion.
Natural Nude
The fine art nude has been a celebrated subject of photography since the beginning and played an important role in establishing photography as a fine art medium. Early on, both in history and most photographers experience, the nude has been featured in a classical pose and setting, maturing to illustrating the human body as a sculptural abstraction, and with some pushing boundaries.
This year we are celebrating the natural nude- the figure in the environment, whether natural or man made. We are not looking for classic studio work but we are looking for photographers who can make a statement. Stop us in our tracks and make us see more in the image.
Analog and digital manipulation in all its forms welcome. Monochrome or color, all subjects, analog, digital or antique processes, photographers of all skill levels and locations where legal are welcome.
Our juror for Kim Weston. Kim Weston is a fine art photographer from California who specializes in nude photography. Weston was born to one of the most influential and creative families in American history and has been making fine-art nude photographs for over 35 years. Kim learned his craft assisting his father, Cole Weston, in the darkroom making gallery prints from the original negatives of his grandfather, Edward Weston. Kim also worked for many years as an assistant to his uncle, Brett Weston, whose bold, abstract photographs ranked him as the "child genius of American photography."
New Mexico Magazine Photography Contest 2018
New Mexico Magazine is known for its stunning photography of the land and its people. Each year, we invite you to submit your favorite photos of the state.
This year’s photography contest opens for entries August 1, 2018. Deadline for entries is 12 p.m. Mountain Standard Time on November 5, 2018.
Details:
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Cost to enter is $25 and includes the submission of five images. Each additional image entry is $5.
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Winners will be published in the February 2019 issue, available on newsstands in mid-January 2019.
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New Mexico Magazine partners with the Tularosa Basin Gallery of Photography in Carrizozo to present a show featuring contest winners. Participation is voluntary.
The New Mexico Magazine Photography Contest is about presenting the beauty of New Mexico through photography. It is an amateur contest and is not open to professionals who derive more than 50% of their income from photography.
NYC4PA BLACK and WHITE 2018
BLACK AND WHITE:
As photographers we know about the dramatic change in photography that came about when color film was introduced. For both portraits and scenics hand coloring was no longer necessary and over time color images joined black and white as fine art.
This call is NYC4PA's homage to those images where all the emotion, texture and beauty are expressed in shades of Black and White. No matter if your original image was shot with tri x or with a digital SLR, if the end product is a terrific Black and White, it fits the call. Sepia will be accepted.
Yosemite Renaissance 34
Yosemite Renaissance is a non-profit art organization founded in 1985 to encourage artists to create diverse interpretations of Yosemite National Park and the surrounding Sierra Nevada region. The organization seeks to inspire a new generation of people to understand, preserve and protect our wild lands and natural places.
The Yosemite Renaissance Exhibition is an annual exhibit that offers an opportunity for artists inspired by nature and the American wilderness to display and promote their art. The exhibit opens at the historic Yosemite National Park Museum Gallery in the heart of Yosemite Valley, then travels to other art centers across California.
Philosophy and Approach
For over 150 years, artists have played an important role in the establishment of our state and national parks, inspiring people to visit iconic natural sites, and to protect our natural resources.
Subject matter must be related to the landscape, environment, wildlife and people of Yosemite National Park and the Sierra Nevada region. Both representational and non-representational submissions are allowed. We encourage artist who apply to celebrate the beauty and wonder of nature through art, but also to consider and explore environmental issues, ecology, biology, forestry, current events, political, spiritual and cultural themes.
Contributing artists should be aware of the geographic range of the show. While the nexus of the exhibit is Yosemite, the scope of the show also includes Sequoia National Park, Sierra National Forest, Ansel Adams Wilderness, Mono Lake, Bodie, the White Mountains, and more. The high Sierra, east side and west side foothills and canyons from Lake Tahoe to Tehachapi are all included! The area is huge, consisting of hundreds of thousands of acres of rugged peaks, deep valleys, forests, chaparral, deserts, lakes and streams. If your work is inspired by these places, it will be considered.
Mastery of traditional media, technical expertise, style and personal vision are important factors in the selection process.
One of the goals of Yosemite Renaissance is to encourage innovation. Jurors will consider the use of new tools, technologies, materials and techniques.
Awards
$5,000 in cash awards will be announced at the opening reception at the Yosemite National Park Museum Gallery.
2019 Cumberland Valley Photographers Exhibition
This is an annual juried exhibition, held since 1931,at the Washington County Museum of Fine Arts in Hagerstown, Maryland. It is open to all artists and all media.
2019 Cumberland Valley Artists Exhibition
This is an annual juried exhibition, held since 1931,at the Washington County Museum of Fine Arts in Hagerstown, Maryland. It is open to all artists and all media.
Holiday Market
Gallery Main Street and the Innovation Pipeline are joining forces to create another Downtown Tyler Art and Makers Market during the holiday season. We will have a total of 10 vendors. The Gallery area will be full of items.
Submit one image up to three items for consideration. Each item will be evaluated by an independent jury based on sales potential, appropriateness for gift-giving and other considerations.
Those that are selected will receive 1 ten foot table. We do request each vendor be there for the opening of this great event.
Work must be your own.
IMPORTANT DATES:
Entry deadline: Sunday, Nov. 25, 2018
Notification by email: Saturday, Dec. 1, 2018
Deadline for delivery: Wednesday, Dec. 5, 2018
Official opening: Saturday, Dec. 8, 2018
Pick-up of unsold inventory: Monday, Jan. 7, 2018
Sales split: 80% to artist; 20% to either Gallery Main Street or Innovation Pipeline.
Monochrome '19
Monochrome Photography, images produced with a single hue, rather than recording the colors of the object that was photographed. The SE Center is looking for all forms of Monochrome imagery, black-and-white and toned photography- all subjects, analog, digital or antique processes, photographers of all skill levels and locations are welcome.
Our juror for Monochrome is Michael Foley. He opened his NYC Foley Gallery in the fall of 2004 after fourteen years of working with notable photography galleries including Fraenkel, Howard Greenberg and Yancey Richardson.
His personal art making practice is equally inspired by photography, collage, cut paper and painting. In 2006, he brought artists within these disciplines to the list of exhibiting gallery artists. Foley went on to co-found The Exhibition Lab in the fall of 2009. The Ex Lab is a study center for people involved in various aspects of fine art photography.
Foley continues his interest in educating by serving on the faculty of the School of Visual Arts and the International Center of Photography where he teaches and lectures on issues in contemporary photography.
5-40 Selected images will hang in the SE Center’s main gallery space for approximately one month with the opportunity to be invited for a solo show at a later date. In addition, the SE Center announces the SE Center Purchase Award. One image, from those selected for inclusion in the exhibition, may be purchased from the artist for inclusion in the SE Center's collection.
America - What Does it Mean to You?
This world-wide competition is intended to present the many and diverse views of what America means to its citizens, visitors, and people who have never been to the U.S. but have opinions shaped by what they see, hear from others, and read.
NYC4PA PRIMARY COLORS 2018
Give a kid three buckets of paint, RED, YELLOW, and BLUE and they can mix them together to create all the colors of the rainbow. But even without mixing, these three colors are each, on their own, strong artistic elements whether used in painting, collage, photography or any art form.
This competition is about images in which one of these colors stands out as a critical element of your photographic composition. Each image will be submitted into one of the categories RED, BLUE or YELLOW. Possibilities include - black and white photographs with a single point of color, a red, yellow or blue monochrome, or any image where red, yellow or blue stands out as a focal part of the photograph. Is the blue sky a main element of your image, a red umbrella or maybe a big yellow
