SEC4P Competitions / Calls for Entry
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It’s all about the light! Light and shadow have been the foundation of photography since the beginning. While illumination is important, darkness is an equally compelling component and, together, the elements of a successful photograph. Show us your best light!
Analog and digital manipulation in all its forms welcome. Monochrome or color, all subjects, analog, digital or antique processes, photographers of all skill levels and locations are welcome.
Our juror is Wendi Schneider. Wendi Schneider is a Denver-based visual artist widely known for her ongoing series of hand-gilded photographs, States of Grace –– illuminated impressions of grace in the natural world. Drawn to the serenity she finds in the sinuous elegance of organic forms, she embraces photography to preserve vanishing moments of beauty in our vulnerable environment. Schneider’s gilding process creates images that seemingly dance on the paper’s surface amidst reflections of light on precious metals, creating a synthesis of technique and subject.
35-40 selected images will hang in the Virtual Gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.
Architectural photography: The photographing of buildings and similar structures that are aesthetically pleasing and accurate representations of their subjects.Throughout the history of photography, buildings have been highly valued photographic subjects, mirroring society's appreciation for architecture and its cultural significance.
As building designs changed and broke with traditional forms, architectural photography also evolved. During the early-to-mid-20th century, architectural photography became more creative as photographers used lines and bold shadows in their compositions, and experimented with other techniques, resulting in architectural photography being viewed as more of an art form.
The SE Center is looking for all forms of architectural imagery, urban or rural, black-and-white and color, analog, digital or antique processes, photographers of all skill levels and locations are welcome.
Our juror for Architecture is Michael Pannier. Michael Pannier is an internatiobally shown fine art and commercial photographer now located in Greenville, SC. Previously based in Maryland, Michael has spent 35 years in photography, 45 years in the gallery and art world. Relocating to South Carolina, The SE Center for Photography was born as an exhibition and education venue for fine photography. Through monthly exhibitions, photographers of all skill levels have the opportunity to have their work presented and the workshops, led by industry leaders, cover all aspects of photography and challenge, encourage and inspire. Michael is represented in galleries across the country, a frequent exhibition juror and curator, portfolio reviewer and speaker on the business of fine art photography. When not in South Carolina he can be found leading photographic expeditions in Death Valley and the Eastern Sierra.
35-40 selected images will hang in the Virtual Gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.
Thoughts of Summer days, that time of year for family, friends, fun and food. The time for vacations, the beach and the mountains. Share your best images that celebrate summer.
Our jurors for the Thoughts of Summer are Lisa Woodward and Mia Dalglish, the Co-Curators at Pictura. Motivated by a desire to create meaningful experiences with photographic art, collaboratively, they produce the gallery’s year-round programming. They work to generate thoughtful and nuanced exhibits, showcasing projects with strong formal sensibilities and depth of content.
They serve as portfolio reviewers for conferences and festivals such as FotoFest, Review Santa Fe, Photolucida, and Les Rencontres d’Arles. They also serve as jurors for photographic competitions and as guest critics for university classrooms.
Lisa and Mia have been known to finish each other’s sentences. Mia would like to thank Lisa for always having an emergency supply of snacks on hand. While usually a fan of brevity and economy, Lisa asserts that in this instance, two curators are better than one.
35-40 selected images will hang in the Virtual Gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.
The Color photograph. We want to celebrate Color in all its forms at the SE Center. Our juror would like to see creativity and self-expression. He have no preference subject, or style but would like to be able to see the photographer's mind at work, his or her use of visual composition and original thinking.
Our Juror is Michael Pannier. Pannier is an internationally shown fine art and commercial photographer now located in Greenville, SC. Previously based in Maryland, Michael has spent over 30 years in photography and 25 years in the gallery and art world, opening his first gallery in 1987.
Relocating to South Carolina, The SE Center for Photography was born as an exhibition and education venue for fine photography. With an emphasis on presenting the work of Southern photographers and themes, the SE Center has hosted more than 150 exhibitions.
Michael is represented in galleries across the country, a frequent exhibition juror and curator, portfolio reviewer, and speaker on the business of fine art photography. When not in South Carolina he can be found leading photographic expeditions in Death Valley and the Eastern Sierras.
35-40 selected images will hang in the Virtual Gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.
The history of photography has a long tradition of representing women as subjects but has less to say about women as artists. Today, the roles of women in photography are both behind the camera and in front of it. Who understands women better than women? The female perspective offers an important view of the many facets of womanhood and women’s role in society. This exhibition seeks women photographers who explore and celebrate the myriad ways that they render female-identifying subjects.
35-40 selected images will hang in the SE Center’s Virtual Gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.
Monochrome photography, images produced with a single hue, rather than recording the colors of the object that was photographed. The SE Center is looking for all forms of Monochrome imagery, black-and-white and toned photography- all subjects, analog, digital or antique processes, photographers of all skill levels and locations are welcome.
Our juror for Black, White & Monochrome is Michael Foley. Michael Foley was born in Delaware and grew up in Croton-on-Hudson, New York. He opened his gallery in the fall of 2004 after fourteen years of working with notable photography galleries, including Fraenkel, Howard Greenberg, and Yancey Richardson.
Art and photography have been a passion since his high school days as a staff yearbook photographer. His personal art-making practice is equally inspired by collage, cut paper, and painting. In 2006, he brought artists within these disciplines to the list of exhibiting gallery artists.
35-40 selected images will hang in the SE Center’s Virtual gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.
Dreams and visions in art have long been a familiar and powerful motif. These mysterious and otherworldly images often serve as representations of our deepest subconscious thoughts, emotions, and desires. The dream in art acts like a wandering spirit, guiding us along the winding path of the imagination. It invites us to explore and question the complex relationship between the visible world we perceive and the invisible forces that influence our inner lives.
Our Juror Dreams & Visions is Michael Pannier, Opening his first gallery in the Washington, DC suburbs in 1987, Michael has continuously been involved in art and photography gallery circles. Initially concentrating on works on paper and multiples, he has been focused on photography for the past 20 years.
Based in his Greenville, SC studio, conveniently located between the Charlotte and Atlanta metro areas, he frequently travels to Los Angeles and New York maintaining studio relationships in both locations. Working on personal projects, Michael may be found wandering the streets of major cities or the desolation of the desert southwest.
35-40 selected images will hang in the SE Center’s virtual gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.
The Open Call is just that, an open theme - all subjects, The SE Center is looking for images of any theme, media, digital, analog, or antique processes that show your best work. Analog and digital manipulation in all its forms welcome. Monochrome or color, all subjects, analog, digital or antique processes, photographers of all skill levels and locations are welcome.
Our juror for the SE Center Open is Alexa Dilworth. Dilworth, an independent editor, writer, and curator based in Durham, North Carolina, was the publishing and awards director at the Center for Documentary Studies at Duke University for more than twenty years. Currently a senior editor for Aperture’s Vision and Justice series and text editor of their Photography Workshop Series, she has edited the text and/or photos for over seventy books, including Larry Fink: Hands On/A Passionate Life of Looking (powerHouse Books, 2025),Pictures for Charis by Kelli Connell (Aperture, 2024), Graciela Iturbide on Dreams, Symbols, and Imagination (Aperture, 2022), The Pretend Villages: Inside the U.S. Military Training Grounds by Christopher Sims (Kehrer Verlag, 2021), and Road Through Midnight: A Civil Rights Memorial by Jessica Ingram (CDS/UNC Press, a New York Times Best Art Book of 2020).
35-40 selected images will hang in the SE Center’s virtual gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.