We all wear masks. At Halloween, Mardi Gras. At work we are one person, at home, another, and with friends we have yet more masks to choose from. We're looking for images with masks, literal and figurative, color or BW, analog, digital or antique processes, photographers of all skill levels and locations are welcome.

Our juror for Masks is Bootsy Holler. Bootsy Holler is an intuitive American artist who has worked in photography for 30 years. She is best known for her work as a portraitist, beginning with intimate depictions of herself and her friends at the center of Seattle's pivotal music scene during the early 1990s and 2000s. These formative years working both ends of the lens cemented her style and methodology. Her empathic journalistic approach informed her work as she segued into a thriving commercial and editorial practice while at the same time always creating art. Her art revolves around family, memory, emotions, eco-feminism, and giving feelings to the inanimate. 

35-40 selected images will hang in the SE Center’s virtual gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.

Forgotten

The Forgotten, people, places and belongings that once mattered, now unremembered, out of mind, left behind.
Items once significant to someone, personal items, buildings, object, person, a place that once had the importance to another, the possibilities are all around us.

Our juror for the Forgotten is Brian Clamp. Brian Paul Clamp, has over thirty years of experience in the field. He holds a Master of Arts degree in Critical Studies in Modern Art from Columbia University, and is the author of over forty articles and publications on American art to date.

Established in 2000, CLAMP is located in the Flower District in the Chelsea neighborhood of Manhattan. CLAMP represents a wide range of emerging and mid-career artists of all media with a specialization in photography. In addition, the gallery carries a large selection of modern and contemporary paintings, prints, and photographs from the early 20th century to the present.

35-40 selected images will hang in the SE Center’s virtual gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.

A Single image can have a powerful storytelling impact, change the way we see, and leave a lasting impression. Often, a signature image or motif is associated with an artist or photographer or project. We’re looking for images that stand on their own, able to tell a story without supporting images.Analog and digital manipulation in all its forms welcome. Monochrome or color, all subjects, analog, digital or antique processes, photographers of all skill levels and locations are welcome.

Our juror for Telling Tales is Frances Jakubek. Jakubek is an image-maker, independent curator, and consultant for artists. She is the co-founder of A Yellow Rose Project, past Director of the Bruce Silverstein Gallery in New York City, and Associate Curator of the Griffin Museum of Photography in Massachusetts.

Recent curatorial appointments include Potential Space: A Serious Look at Child’s Play featuring works by Nancy Richards Farese; Critical Mass, Portland, Oregon; Filter Photo, Chicago; The Griffin Museum of Photography; British Journal of Photography; Les Rencontres d’Arles, France; Save Art Space, Los Angeles; and Photo District News.

35-40 selected images will hang in the SE Center’s virtual gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.

It’s all about the light! Light and shadow have been the foundation of photography since the beginning. While illumination is important, darkness is an equally compelling component and, together, the elements of a successful photograph. Show us your best light!

Analog and digital manipulation in all its forms welcome. Monochrome or color, all subjects, analog, digital or antique processes, photographers of all skill levels and locations are welcome.

Michael Pannier is an internationally shown fine art and commercial photographer now located in Greenville, SC. Previously based in Maryland, Michael has spent over 30 years in photography and 25 years in the gallery and art world, opening his first gallery in 1987.

Relocating to South Carolina, The SE Center for Photography was born as an exhibition and education venue for fine photography. With an emphasis on presenting the work of Southern photographers and themes, the SE Center has hosted more than 150 exhibitions.

Michael is represented in galleries across the country, a frequent exhibition juror and curator, portfolio reviewer, and speaker on the business of fine art photography.

35-40 selected images will hang in the SE Center’s virtual gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.

The Abandoned Landscape

Rural or urban, desert or jungle, ancient to recent. The SE Center is looking for photographers who appreciate the ravages of time and create compelling images reflecting those effects around us. Color or BW, analog, digital or antique processes, photographers of all skill levels and locations are welcome.

Our juror for The Abandoned Landscape is Constance Lewis. Constance Lewis holds a Fine Art degree in Photography from the San Francisco Art Institute. She founded Opal Gallery, an Atlanta-based artist collective that exhibited the work of an international array of artists.  She has studied photography conversation in Paris, France and her independent curatorial work includes exhibitions in Paris, San Francisco, New York, Atlanta, New Orleans, and Mississippi. She has published; Oraien Catledge: Photographs ( University Press of Mississippi, 2010) and has worked with renowned photographers on multiple book projects. 

Constance’s passion is to highlight marginalized artists and she has a deep interest in promoting photography within a broader context. In addition to her work in photography, Constance holds an advanced degree in Education with an emphasis on Visual Literacy from Rice University. She currently resides in New Orleans and Houston, where she has been lecturer and educator, and where she launched Opal Art Management, offering advising and curatorial services to artists, collectors, and institutions. 

35-40 selected images will hang in the SE Center’s virtual gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.

The Portrait. We use portraits as objects of remembrance and reverence, of seduction and glorification. From the keepsakes in lockets as tiny remembrances of love, to the likenesses of leaders meant to inspire and seduce with their power. They can stir, and confront, and drive us to action. Just as they can lull in longing for a time since passed. They act as a mirror in whose reflection we find the inward experiences of ourselves, or as a window from which we look out toward the virtues of another.

Analog and digital manipulation in all its forms welcome. Monochrome or color, all subjects, analog, digital or antique processes, photographers of all skill levels and locations are welcome.

Aline Smithson is a visual artist, educator, and editor based in Los Angeles, California. Best known for her conceptual portraiture and a practice that uses humor and pathos to explore the performative potential of photography. Growing up in the shadow of Hollywood, her work is influenced by the elevated unreal. She received a BA in art from the University of California at Santa Barbara and was accepted into the College of Creative Studies, studying under artists such as William Wegman, Allen Ruppersburg, and Charles Garabian. After a decade-long career as a New York Fashion Editor, Smithson returned to Los Angeles and to her own artistic practice.

35-40 selected images will hang in the SE Center’s virtual gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.

The fine art nude has been a celebrated subject of photography since the beginning and played an important role in establishing photography as a fine art medium. Early on, both in history and most photographers experience, the nude has been featured in a classical pose and setting, maturing to illustrating the human body as a sculptural abstraction, and with some pushing boundaries.

Analog and digital manipulation in all its forms welcome. Monochrome or color, all subjects, analog, digital or antique processes, photographers of all skill levels and locations where legal are welcome.

Our juror for The Modern Nude is William Earle. Born in an era prior to the current technology and information sharing society we live in, my first memory of a camera was one my Father owned. It was a Canon 35mm gizmo that he used while serving in the Army in Korea. I clearly remember looking at it and being fascinated with slides he had taken while over seas. While non-functional today I still have it. I have come to realize that it’s the photographer who makes the picture, not the gear and gizmos. The camera is simply a tool, an extension of the photographer.

Bill's work has been recognized as "So very simple on the eye with an aura of great confidence and tranquility. Yet, with these apparent restrictions you deliver a sensual but respectful image

35-40 selected images will hang in the SE Center’s virtual gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.

The SE Center for Photography is looking for non-representational imagery, though it can be from found objects in nature, man made or figurative works. We're seeking images that do not attempt to represent external reality, but seek to achieve its effect using shapes, forms, colors, and texture. Black-and-white or color, analog, digital or antique processes, photographers of all skill levels and locations are welcome.

Adam Finkelston is an artist, publisher, and educator based in Prairie Village, KS. He has shown his art work in solo exhibitions in Kansas City, MO as well as group and juried exhibitions throughout the United States and internationally.

Mr. Finkelston is also the owner, publisher and co-editor of the quarterly photography and printmaking magazine, The Hand Magazine: A Magazine For Reproduction-based Art. 

35-40 selected images will hang in the SE Center’s virtual gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.

Artists throughout the ages have been drawn to the vast and varied world of flora. What moves you? Do you celebrate the essence of beauty or strive to heighten recognition of the perilous path of our environment? Are you inspired by a single bloom or a profusion of blossoms in a lush bouquet, enchanted gardens manicured or messy, plants endangered or invasive, carefully cultivated or sown by nature, bursting forth or shriveling on a vine?

We’re looking for flora, all types from a single stem to a vast landscape, still life, formal gardens, or vegetation gone wild. Color or monochrome, analog, digital or antique processes, photographers of all skill levels and locations are welcome.

Fauna- all the animal life of a particular region. We live with animals daily - wildlife, farmed, caged or free, many are our best friends, some we fear, yet others we admire. Whether it walks, flies, crawls, slithers, swims, the SE Center wants your best animal images.

Our juror for Flora & Fauna is Darrell Gulin. Darrell, one of Canon's Legends Photographer, has been photographing for over 39 years, marketing his work for the last 37 years and has been a full time Nature/Travel Photographer for the last 30 years. He markets his work through Stock Agencies, Editorial Markets, Photography Workshop/Tours, Seminars and Speaking Engagements.

He is the past President of the North American Nature Photography Association (NANPA). He has been their keynote speaker and has lead many workshops and programs at their Annual Summits.

35-40 selected images will hang in the SE Center’s virtual gallery space for approximately one month. In addition, selected images are featured in the SE Center social media accounts (FB, IG, Twitter) and an archived, online slide show. A video walkthrough of each exhibition is also featured and archived.